Review

Showing results 181-200 of 2142

Iqra Tanveer’s quiet show at Grey Noise, Dubai, is full of puzzles and meditations

BY Skye Arundhati Thomas |

A public installation in London’s Bermondsey suggests that the linguistic landscape is deteriorating along with the ecological one

BY Paul Carey-Kent |

At LABOR, the artist has captured airborne contaminants on 52 canvases, damning evidence of the capital’s unsafe conditions

BY Kit Schluter |

At Sophie Tappeiner, Vienna, the artist highlights the ways in which Kurdish culture is expressed at the intersection of myth and reality

BY Tom Hastings |

From bratwurst sculptures to Prussian monuments, at Sammlung Philara, Düsseldorf, the artist looks at the construction of German identity 

BY Chloe Stead |

40 years on, the fight for reproductive rights, and against sexual violence, has never been more pressing

BY Alice Butler |

At Sesc Pompeia, São Paulo, five decades of the artist’s immersive work speak to the brutality and sensuality of American life

BY Fernanda Brenner |

The video artist Li Ran’s return to painting, at Shanghai’s Aike gallery, is suffused by a sense of cinema

BY Alvin Li |

At David Lewis, the artist repurposes ephemeral Americana to remark on the disintegration of 1960s countercultural dreams and ideals

BY Robert Fitterman |

With ‘Cantiere’, the sculptor shows himself to be one of Italy’s best kept secrets

BY Ana Vukadin |

In the artist’s first museum survey at the Vancouver Art Gallery, appropriated advertising imagery exposes the hermetic loops of capitalism

BY Karina Irvine |

Majoli’s historical subjects couldn’t have known that the community for which they became sex symbols would soon be marked with a valedictory contingency – annihilation

BY Shiv Kotecha |

Boskovich wanted to inhabit a place that made no distinctions between sculpture and furniture, curation and decor, art and everyday life

BY ​Juliana Halpert |

The sculptor’s solo exhibition at Oakville Galleries blurs the boundaries between chance and artistic selection

BY Charles Reeve |

The painter’s work, on view at Tina Kim Gallery in New York, focuses our sight while urging us beyond it

BY David Geers |

Fin de siècle squalor and sardonic masques in ‘Grand Hotel Abyss’, the 2019 edition of the annual Austrian festival

BY Adam Kleinman |

Patrick D. Flores’s southeast Asia-focused exhibition is hopeful, in spite of its sometimes academic tenor

BY Max Crosbie-Jones |

In an exhibition at Focal Point Gallery, the artist looks to the local marshes of Canvey Island with a weird degree of hope  

BY Tom Morton |

The most remarkable thing about ‘The Mysterious Correspondent’ is the way it deals directly with gay and lesbian characters

BY Aaron Peck |
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