From Kinga Bartis’s quietly captivating paintings to Madeleine Andersson’s nauseating footage of human brains, this year’s participants in Bergen select their favourite recent exhibitions
Diarmuid Hester’s Nothing Ever Just Disappears and Robert Glück’s About Ed offer compelling portraits of the histories and intimacies of artists, writers and lovers who shaped the 20th century
'Love Songs' at International Center of Photography, New York, suggests that queer art is inherently allergic to telling a representational story of intimacy