Sculpture

Showing results 41-60 of 110

A pivot to glass by the sculptor shows an attempt to see hope through political disillusionment

BY Laura van Straaten |

The Met’s Luke Syson talks at Frieze Masters about the display of artworks

A late Barbara Hepworth bronze on show at Frieze Masters shows the artist reconnecting with her early career, as Richard Green's Tamara Green explains

Chloe Aridjis recalls taking tea with the great surrealist in her home in Mexico

BY Chloe Aridjis |

To what extent did the ancients colour their sculptures?

BY Peter Stewart |

Bertel Thorvaldsen, Józef Poniatowski, 1826–27

BY Christodoulos Panayiotou |

Artist and writer David Bestué employs materials as diverse as dust, saliva and fragments of a monastery to explore the meanings contained in the world around him

BY George Stolz |

Mary Ceruti explains why sculpture might matter more than ever, and the artworks they’re bringing exlucsively to Frieze New York

As his new exhibition is installed at Lisson Gallery, London, the artist explains how painting, place, scale and skin all figure in his thinking about sculpture

The quietly violent works of Alexandra Bircken

BY Amy Sherlock |

Tim Smith-Laing talks to Rasheed Araeen about six decades of art making, writing and publication

BY Tim Smith-Laing |

The intermingling of classical sculpture and female self-realization in the long literary tradition of the journey to Italy

BY Matthew Fox |

The intertwining of life and death in poetry, art and nature

BY Olivia Laing |

Judith Clark talks to Diane Simpson about the influence of abstraction, architecture and fashion on her sculptures

BY Judith Clark |

Various venues, Shanghai, China

BY Matthew McLean |

Hammer Museum, Los Angeles, USA

BY Olivian Cha |

The raw enigma of matter and the potential meaning of form

BY Ara H. Merjian |

A free cultural attraction for London, it welcomed visitors for three months for the first time

Brian Dillon considers the 'monstrous homunculi' of Enrico David

BY Brian Dillon |

Language as virus and failing machines

BY Robert Barry |