Simon Wu

At Greene Naftali, New York, the artist transforms vintage gay pornography into paintings – to ‘soul-dissolvingly, corrosively beautiful’ effect

Her retrospective at the Center for Art, Research, and Alliances demonstrates a philosophy almost incompatible with the viewing methods of institutional exhibition

To honour the artist's Golden Lion for lifetime achievement at the Venice Biennale, Simon Wu reflect on her long-standing poster series

Ahead of the publication of his new book, Dancing On My Own, Simon Wu speaks about his influences and allegiances



 

A personal essay on the importance of friendship and the ascendancy of Asian American stories in the mainstream

From Alix Vernet’s street casts at Helena Anrather, New York, to Myrlande Constant’s mystical tapestries at Fowler Museum at UCLA, Los Angeles

At the Walker Art Center, Minneapolis, the artist’s works are simultaneously maps, bodies and repositories

In her ninth studio album, Did You Know That There’s a Tunnel Under Ocean Blvd, the artist reaches new heights of candour

At Greene Naftali, New York, the shape-shifting collective's new paintings and sculptures reveal the limits of a generational cynicism in 2023

Using web3 technologies, the Berlin-based artist collective attempts to grant sovereignty to nature

At the Institute of Contemporary Art Virginia Commonwealth University, the artist cobbles together filmic and digital imagery to form spiritual beings

Simon Wu considers how the artist’s shiny sculptural configurations reflect the art world’s taste back at itself

From New Orleans much-anticipated Prospect.5 to Naudline Pierre's first institutional solo exhibition, these are the unmissable shows to see this month

At Grimm, New York, the Peruvian artist presents a body of work that asks us to defang our baleful understandings of ghosts

In a series of sculptures and installation works, the artist unpacks the self-destructive consequences of their faith in the solidarity of cisgender white men

At the New Museum, the exhibition, conceived by the late curator Okwui Enwezor, is a sobering look at the realities of Black grief, but fails to address its root cause

At Artists Space, New York, a retrospective of the collective’s body of work reminisces on the punkish criticality of the 1990s 

At Essex Street, New York, the artist presents an array of prefabricated objects through the lens of disability and chronic illness

The Asian-American designers embrace alienation as an integral aspect of identity