Stuart Shave/Modern Art

London

13 Jan
10 Feb
Josh Kline, exhibition view, Modern Art, London, 2017. Courtesy: Stuart Shave/Modern Art, London 

London

4 Oct
11 Nov
Martha Jungwirth, Untitled, 2013, oil on paper on canvas, 226 x 142 cm 89 x 55 7/8 ins. Courtesy: the artist and Modern Art, London

London

3 Oct
4 Nov

Documenta curatorial team respond to financial mismanagement report; Gwangju Biennale announces 2018 theme

Eva Rothschild, An Array, 2016, installation view at The New Art Gallery, Walsall. Courtesy: the artist, 303 Gallery, New York, The Modern Institute /Toby Webster Ltd, Glasgow, Galerie Eva Presenhuber, Zurich, and The New Art Gallery, Walsall; photograph: Robert Glowacki

The artist discusses the objects, ideas and artworks that have shaped her thinking. With an introduction by Declan Long 

By and

Sponsored Content - 09 Jun 2017

As Ron Nagle's solo exhibition ‘Amended Testimony’ goes on show at Stuart Shave/Modern Art, London, the American West Coast artist discusses his intimate sculptural pieces

Stuart Shave/Modern Art, London, UK

Annette Kelm, Pepper / Pac Man, 2016, archival pigment print, framed, 61 x 75 cm. Courtesy: Herald St, London

Tonight's highlights: two significant new painting shows and an impressive new film by Charlotte Prodger

Elephant, Palais des Glaces, Paris. Photograph: Pierre Antoine

From hissing dragons to oozing amoebas: as his show opens at Stuart Shave/Modern Art, the London-based artist picks some favourite images

Bodily and technological extremes in the sculptures of Yngve Holen

Torey Thornton, First, After I saw Elvis Look At Me And Imagined Him Looking To Andy, 2014–15, aluminium enamel paint, oil, wood, spray paint and collage on  wood panel, 1.8 × 2.2 m

Modern Art, London, UK

I don’t trust anyone for the most part. But then again, I am my own creature, 2015, plastic, fabric, metal, 177 × 185 × 36 cm. Courtesy: the artist and Galerie Neu, Berlin; photograph: Stefan Korte

Reformulating the human body in the age of mass digitization