Survey

How will stories be told in the future? frieze asks nine artists and writers to reflect on how narrative structures will change as technology advances

Dan Fox invited eight artists and artist groups to reflect on their relationships to curators and curatorial discourse

Ahead of dOCUMENTA (13), reflections on the exhibition by its previous curators

Ten contemporary sculptors are asked about the ways in which they feel meaning is controlled and conveyed in their work

On the 150th anniversary of Italy’s unification, curators and critics respond to the country’s political crisis and its effect on cultural institutions with Gabriella Belli, Cecilia Canziani, Massimiliano Gioni, Francesco Manacorda and Alessandro Rabottini

An international selection of artists, writers and curators tell frieze what they’re looking forward to in the near future

Nine theses on slapstick

'What writing has most influenced the way you think about art?' Writers, artists and curators reveal the often surprising literary influences – from Theodor W. Adorno to Lester Bangs, Gertrude Stein and P.G. Wodehouse – that have shaped their thinking.

What criteria do we use to judge art? During the opening of the 4th Berlin Biennial in March, Thomas Demand, Mark Godfrey, Jörg Heiser, Jennifer Higgie, Adrian Searle, Polly Staple and Tirdad Zolghadr gathered on a Saturday afternoon in frieze’s Berlin office to informally discuss, over cheese and strawberries, this very question

In 1976 the British art journal Studio International conducted a survey of contemporary art magazines to see what could be revealed about their inner workings and motivations. How do art magazines perceive themselves today? Are the questions that were posed 30 years ago still relevant in 2006? To find out, frieze asked 31 publications to respond to the Studio International questionnaire. Introduction byRichard Cork, the editor behind the original survey

In 1976 the British art journal Studio International conducted a survey of contemporary art magazines to see what could be revealed about their inner workings and motivations. How do art magazines perceive themselves today? Are the questions that were posed 30 years ago still relevant in 2006? To find out, frieze asked 31 publications to respond to the Studio International questionnaire

In 1976 the British art journal Studio International conducted a survey of contemporary art magazines to see what could be revealed about their inner workings and motivations. How do art magazines perceive themselves today? Are the questions that were posed 30 years ago still relevant in 2006? To find out, frieze asked 31 publications to respond to the Studio International questionnaire