Advertisement

Tom Jeffreys

Why is the figure of the witch and magical practice making a 21st-century comeback in the arts?

By Tom Jeffreys

For 112 days Sara Morawetz retraced the 2,000 kilometre journey of two 18th century astronomers, tasked with defining the length of a metre

By Tom Jeffreys

Featuring a proposal for a circular motorway around a mountain peak, the ‘weird and absurd’ work of the Russia-based artist

By Tom Jeffreys

Jostling with its loud festival neighbours, the UK’s best attended annual visual art festival conducts a polyphonic debate with art of the past

By Tom Jeffreys

As the most expensive railway on earth is built, is art being used as a mouthpiece for power?

By Tom Jeffreys

Four miles west of the city, Jupiter Artland marks its 10th anniversary with a new commission by Phyllida Barlow

By Tom Jeffreys

At this year’s GI festival, directed by Richard Parry, a future-focused assemblage of what it means to be human

By Tom Jeffreys

A new report suggests that women, people from working-class backgrounds and BAME workers all face significant exclusion

By Tom Jeffreys
Nicholas Mangan, Ancient Lights (detail), 2015, two-screen installation, solar panels, batteries, projectors powered by solar energy, dimensions variable. Courtesy: the artist, Sutton Gallery, Melbourne, Hopkinson Mossman, Auckland and Labor, Mexico

At once stagnant and dynamic, politically tense and blissfully buoyant, the French capital was a strange place to be living this year

By Tom Jeffreys

Angelica Mesiti’s films explore the myriad ways humans communicate

By Tom Jeffreys

A slew of exhibitions commemorates the centenary of the Russian Revolution 

By Tom Jeffreys

galerie frank elbaz, Paris, France

By Tom Jeffreys