At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
On the occasion of his first UK solo show – 'Celebration Park' – at Tate Modern this summer, Tom Morton spoke to Pierre Huyghe about journeys, exhibition-making, fiction and the future
Urs Fischer’s work is characterized by happy accidents – slips of the hand and mind that can transform even the ugliest of ducklings into a weirdly beautiful swan