UK Reviews

Showing results 81-100 of 155

At Alison Jacques, London, the Turner Prize-nominated artist recasts Caribbean flora and quotidian objects as symbols of interconnectedness and care

BY Salena Barry |

At Maximillian William, London, the artist’s glamorous figures render viewers more than mere witnesses

BY Melissa Baksh |

An elegant retrospective at The Photographers’ Gallery, London, has striking contemporary resonance in a country that remains profoundly unequal

BY Julie Hrischeva |

At Newport Street Gallery, London, the artist performatively burnt thousands of his own works 

BY Tom Morton |

At Hepworth Wakefield, the artist’s light-sensitive paintings are an ongoing work in progress

BY Lauren Dei |

An enthralling retrospective at the Royal Academy of Arts, London, gathers 40 years worth of works in a diverse range of mediums

BY Tim Smith-Laing |

At Graves Gallery, Sheffield, the artist positions the home as a critical site of cultural preservation and exchange

BY Cathy Wade |

At Maureen Paley, the artist uses the archive to reckon with women’s history in the UK

BY Hettie Judah |

From South Korean pop ephemera to Marina Abramović's transitional states of being

BY frieze |

The artist’s first show at White Cube, London, contains new paintings full of narratively ambiguous scenes derived from popular culture

BY Ella Slater |

At New Art Projects, London, the artist evokes visceral experiences of growing up queer in Britain under Section 28

BY Sam Moore |

At Gasworks, London, the artist explores the possibilities that come with rejecting forms imposed by outsiders and creating our own

BY Juliet Jacques |

At Stills Centre of Photography, Edinburgh, the artist holds the spirits of her absent subjects in the gallery, forcing us to commune with their stories

BY Lisette May Monroe |

The artist and DJ’s first solo show at Tramway, Glasgow, is a stunning exploration of West African music

BY Tom Hastings |

A retrospective at Kettle’s Yard, Cambridge, highlights the artist's uses of collage and abstraction to circle blatant and coded atrocities

BY Lauren Dei |

At Sadie Coles HQ, London, the artist turns his pin-sharp brushwork to depth and volume, conjuring surfaces that seemingly scoop and protrude

BY Matthew McLean |

At Compton Verney, the artist’s first large-scale survey celebrates a career spent experimenting with colour

BY Cathy Wade |

The artist and poet invites us into her world of rage, vulnerability and humour at ICA, London

BY Ella Slater |

A staged ‘not closing down sale’ at Ginny on Frederick, London, advertises a space in which nothing is quite as it seems

BY Donna Marcus Duke |

At Richard Saltoun Gallery, London, a trilogy of works delves into the domestic exploitation of Southern Italian women

BY Lauren Dei |