More than 110 of the world’s leading galleries will participate in the fair, with sections for emerging talent and historical art, the Frieze Artist Award commission, Frieze Film, talks and a Frieze Week festival of culture
On the Isle of Bute, the artist uses objects to expose the geology of the 18th-century Mount Stuart House and engage with the Scottish mansion's material history
In Aindrea Emelife’s group show at The Perimeter, the work of seven Black artists explore experiences of recollection and nostalgia to examine the relationship between Blackness and history
At Goldsmiths Centre for Contemporary Art, the London-based artist’s installation re-appropriates industrial and mass-produced objects, unlocking their numerous connotations
At Maximillian William, a group show celebrates modernist sculpture bringing Simone Leigh and Magdalene Odundo’s anthropomorphic vessels together with Thaddeus Mosley’s Brancusian forms
The exhibition at Tate Liverpool takes women’s liberation as its basis, leaning on frustratingly narrow definitions to justify connections between Linder and Martine Syms
Agar has been widely associated with the European avant-garde movement but, as Whitechapel Gallery’s retrospective makes clear, she sought to define no one’s image but her own
The artists' respective exhibitions at Kate MacGarry and Victoria Miro use abstractions to expose our fragile yet resilient nature in relation to the pandemic
A group show at Richard Saltoun Gallery attempts to disentangle the 20th-century political philosopher's question, exploring perspectives from the individual to the state
