US Reviews

At Templon Gallery, New York, the artist’s pointilist canvases probe the politics of legibility and identity

Building on his presentation at the Venice Biennale, the artist’s show at The Bell, Providence reflects on diasporic wisdoms

At BANK NYC, the show is most effective when it engages with haptics at a distance

At Fraenkel Gallery, San Francisco, a show of abandoned projects sees the artist contemplating endings

The artist’s minimalist interventions at Tanya Bonakdar Gallery, Los Angeles, grapple with absence, erasure and exile

At the Whitney Museum of American Art, New York, the artist explores the unique qualities of ASL through drawing, video and sculpture

Riffing on a technology trade fair, the artist’s show at Reena Spaulings Fine Art, New York, suggests that what’s onscreen doesn’t matter

A retrospective at Carnegie Museum of Art, Pittsburgh, traces the artist’s insistent, strange and utterly distinct iconography across three decades

The meeting of environment and technology is front and centre in the Californian artist’s retrospective at Institute of Contemporary Art, Philadelphia

At Seattle Art Museum, the artist uses redaction and erasure to reflect the ways in which language can be reborn

A tight retrospective at White Cube, New York, transcends and mystifies in equal measure

Featuring sound machines and satellites, the artist’s show at Andrew Kreps Gallery, New York challenges the supposed neutrality of ‘white noise’

Spanning five decades, a show at the Museum of Contemporary Art, Chicago, traces the evolving relationship between painting and invention

It may be a fool’s errand to mount an exhibition devoted to this conceptual artist – but New York’s Artists Space (mostly) pulls it off

The artist’s sparse, poetic show at Perrotin, Los Angeles, approaches post-minimalism as a vehicle for historical remembrance

At Glenstone Museum, Potomac, the artist identifies violence at the core of American society – and risks reinscribing it

At Ulrik, New York, the artist’s parodic installation contends with the seemingly immutable legend of ‘Vincent, who cut off his ear’

A group show at the Institute of Contemporary Art, Los Angeles provides vital context for the continuous battles over bodily autonomy

At Greene Naftali, New York, the artist transforms vintage gay pornography into paintings – to ‘soul-dissolvingly, corrosively beautiful’ effect

In the Indigenous artist’s performance-packed exhibition, power comes from celebrating difference