US Reviews

At Museo de Arte Moderno de Buenos Aires, a significant survey by the artist charts her ongoing experiments in gestural and accumulative brushstrokes

The artist’s minimalist interventions at Tanya Bonakdar Gallery, Los Angeles, grapple with absence, erasure and exile

At the Whitney Museum of American Art, New York, the artist explores the unique qualities of ASL through drawing, video and sculpture

Riffing on a technology trade fair, the artist’s show at Reena Spaulings Fine Art, New York, suggests that what’s onscreen doesn’t matter

A tight retrospective at White Cube, New York, transcends and mystifies in equal measure

Featuring sound machines and satellites, the artist’s show at Andrew Kreps Gallery, New York challenges the supposed neutrality of ‘white noise’

Spanning five decades, a show at the Museum of Contemporary Art, Chicago, traces the evolving relationship between painting and invention

It may be a fool’s errand to mount an exhibition devoted to this conceptual artist – but New York’s Artists Space (mostly) pulls it off

The artist’s sparse, poetic show at Perrotin, Los Angeles, approaches post-minimalism as a vehicle for historical remembrance

At Glenstone Museum, Potomac, the artist identifies violence at the core of American society – and risks reinscribing it

At Ulrik, New York, the artist’s parodic installation contends with the seemingly immutable legend of ‘Vincent, who cut off his ear’

A group show at the Institute of Contemporary Art, Los Angeles provides vital context for the continuous battles over bodily autonomy

At Greene Naftali, New York, the artist transforms vintage gay pornography into paintings – to ‘soul-dissolvingly, corrosively beautiful’ effect

In the Indigenous artist’s performance-packed exhibition, power comes from celebrating difference

The New Dehli-based artist’s survey at MoMA PS1, New York, interweaves the autobiographical and the sociopolitical to consider the state of his motherland

At FERNBERGER, Los Angeles, the artist’s abstract compositions suggest an indeterminate, emergent world akin to that of classical Chinese landscapes

The latest iteration of the triennial views its host city from an international perspective

A show at the Museo Universitario de Arte Contemporáneo, Mexico City, conjures the spectral presences behind cinematic artifice

Constellating work by over 90 artists and groups, a survey of Asian American art at 80WSE Gallery, New York considers the power of the collective

Coinciding with a spate of new projects inspired by the late artist, a landmark show at the Pulitzer Arts Foundation explores Burton’s engagement with the body and public space