US Reviews

Showing results 1-20 of 235

At the Contemporary Arts Center, Cincinnati, photographs from the artist’s ‘Exposures’ series encourage interpretive flexibility and plural perspectives

BY Stephen Frailey |

An exhibition at Asia Society, New York, foregrounds Indigenous knowledge-holders as it brings together eight decades of work by Yolŋu artists

BY Lauren O’Neill-Butler |

Once excluded from art history, the conceptual artist has her first US solo exhibition at the American Academy of Arts and Letters, New York

BY Madeleine Seidel |

Her retrospective at the Center for Art, Research, and Alliances demonstrates a philosophy almost incompatible with the viewing methods of institutional exhibition

BY Simon Wu |

From Liliana Porter’s new commission at Dia Bridgehampton, New York, to Hugh Hayden’s explorations into childhood, here are the latest exhibitions across the US

BY frieze |

In two concurrent New York exhibitions at Dia Beacon and Dia Chelsea, the filmmaker and artist explores visibility in a racialized world

BY Zoë Hopkins |

In the artist’s debut show with Petzel Gallery, New York, eight gleaming, machinic sculptures upend expectations with flickers of strangeness

BY Brecht Wright Gander |

At Institute of Contemporary Art / Boston, the artist’s majestic figures powerfully embody the syncretism of the Caribbean despite a cramped presentation

BY Thea Quiray Tagle |

A ‘survey’ of his upbringing, the artists hometown exhibition at Dallas’s Nasher Sculpture Center reimagines cafeteria furniture and science-class skeletons

BY Travis Diehl |

An urgent exhibition at Jane Lombard Gallery, New York, underscores the artist’s ongoing commitment to exploring migration and displacement

BY Clara Maria Apostolatos |

The artist’s first institutional survey at the Los Angeles County Museum of Art assembles her eclectic ceramics, some of which she made with her husband

BY Will Fenstermaker |

Featuring a new commission, the artist’s show at Dia Bridgehampton asks how viewing conditions and context shape perception

BY Macaella Gray |

Curatorial misfires leave a lot to be desired in the artist’s confusing survey at the Guggenheim Museum

BY Jane Ursula Harris |

The capacious theme of this seven-artist show at Silverlens, New York, invites affinities outside of the basis of identity

BY Hindley Wang |

At Bel Ami, Los Angeles, a show pairing Covey Gong and Monique Mouton questions networks of value in commercial galleries

BY Claudia Ross |

At Aspen Art Museum, the artist-curator arranged private collection works to reflect the layout of an ancient Roman townhouse

BY Cat Kron |

A sprawling exhibition at SITE Santa Fe pairs Robert Smithson’s installations, photographs and early drawings with Teresita Fernández’s medium-defying works

BY Brian Karl |

A show at Francis Gallery, Los Angeles, features decades of drawings by the celebrated novelist, playwright, essayist and poet

BY Tina Barouti |

Displayed in a labyrinth at Pace Gallery, New York, the artist's latest ‘Black Dada’ paintings fail to generate productive friction

BY Zoë Hopkins |

In a two-venue show at Karma, New York, the artist's hallucinogenic compositions see her staring into the heart of trauma

BY Jesse Dorris |