USA

In the third edition of the biennial, progressive politics and BP sponsorship underscore the tensions between discourse and direct action 

By Minh Nguyen

His ‘brutalist dollhouses’ invite viewers into the void ‘in the friendliest manner’ 

By Robert Glück

At the Nasher Sculpture Center, Dallas, the artists’ first US museum survey traces their slick, satirical and sentimental practice

By Grant Klarich Johnson

In the artist’s largest survey to date, science fiction and narratives of black resistance offer a vision of a more inclusive future

By Esmé Hogeveen

The artist’s survey at the Hessel Museum of Art at CCS Bard, Annandale-on-Hudson, links life on microscopic and cosmic scales with moments of spiritual self-searching and reflection

By Natalie Haddad
Ellen Harvey, New Forest/The Internal Revenue Office Reforested, 2013, acrylic, oil and varnish on 20 wood panels, 2.3 × 4.1 m

The Barnes Foundation and Locks Gallery, Philadelphia, USA

By Becky Huff Hunter
Left: Mira Dancy, Untitled, 2015, acrylic on wall, dimensions variable; right: Mira Dancy, Body Clock, 2015, acrylic on canvas, 147 × 117 cm

MOMA PS1, New York, USA

By Chris Wiley
Ellen Carey, Self-Portrait, 1987, Polaroid, 84 × 66 cm

M+B, Los Angeles, USA

By Jonathan Griffin