Walid Raad

The artists in ‘Time Forward!’ at the V-A-C Foundation in Venice speculate on what the future might bring

By Barbara Casavecchia

Tel Aviv’s 1:1 Center for Art and Politics is intentionally exhibiting work by contemporary Arab artists without permission or attribution

Canada’s newest art museum attempts to reconcile local and international interests

By Amy Luo


15 Nov
20 May

The ghostly museum in Walid Raad’s performance Kicking the Dead hints at the real challenge facing the Louvre’s new Middle East outpost

By Cristina Sanchez-Kozyreva

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

Kaelen Wilson-Goldie considers a collaborative intervention by Suhu Traboulsi and Walid Raad

By Kaelen Wilson-Goldie
Walid Raad, Scratching on Things I Could Disavow: Walkthrough, 2011, performance documentation at Kunstenfestivaldesarts, Les Halles de Schaerbeek, Brussels

Museum of Modern Art, New York, USA

By Saul Anton
Ursula Biemann, Sahara Chronicle, 2006-7, video still, discussed by T.J. Demos in The Migrant Image (Duke University Press, 2013)

Is it an artist’s duty to bear witness to suffering? Journalism, documentary and the ethics of reporting

By Lara Pawson

Alex Farquharson and Kaelen Wilson-Goldie grapple with the complexities of dOCUMENTA (13)

By Alex Farquharson and Kaelen Wilson-Goldie

The Power Plant, Toronto, Canada

By Benjamin Carlson

Addressing art education, artistic, feminist and curatorial practice