On show at WIELS, Brussels, the artist's textiles are modes of conscious reparation, through which damage and disrepair become precious artefacts

From a collection from Seth Siegelaub’s archive to a photography show in an artist’s home, your guide to the best shows around town


19 Apr
12 Aug

Images of sexual experimentation and chemical consumption recur in 'Sophie Podolski: Le pays où tout est permis' at WIELS, Brussels 


20 Jan
1 Apr
Ellen Gallagher, Abu Simbel, 2005, 62 x 90 cm, photogravure, watercolour, colour pencil, varnish, pomade, plasticine, fake fur, gold leaf and crystals. Courtesy: Private collection and WIELS, Brussels

WIELS, Brussels, Belgium

Ahead of Art Brussels opening this week, a guide to the best shows around town

Basic Circles & Magic Squares, Skizze für Work/Travail/Arbeid, von Anne Teresa De Keersmaeker, 2014 (courtesy: Anne Teresa De Keersmaeker & WIELS, Brussels)

What are the challenges of producing a dance piece in the form of an exhibition?

Tracey Rose, Tracings, 2015, video still from the series ‘Die Wit Man’ (The White Man)

Wiels, Brussel, Belgium