Wong Kar-wai

With censorship, abductions, banned journalists and threats towards artists, the erosion of freedoms has deepened

By Gavin Jacobson
Wong Kar-wai, Happy Together, 1997, film still. Courtesy: the artist and Alamy 

From the new issue of frieze: Changes in urban cultures and queer aesthetics across the Sinosphere 

By Francesca Tarocco