Features

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A slew of new exhibitions celebrate Pop art from around the world

BY Michael Bracewell |

A slew of recent exhibitions and projects reveal an interest in the artist as anthropologist

BY Kaelen Wilson-Goldie |

In Shahryar Nashat’s films and sculptures, dodecahedrons, dance and desire come together in delirious studies of impossible ideals

BY Jörg Heiser |

How Andra Ursuta’s sculptures play with national stereotypes

BY Summer Guthery |

How Darren Bader has pushed the readymade to its extreme

BY Domenick Ammirati |

Silicon wafer weapons and Mars missions

BY Kirsty Bell |

Films and installations from the depths of the unconscious

BY Josefine Wikström |

Botched temporalities and ceramic selves

BY Matthew McLean |

Laure Prouvost talks about translation, tea, fictitious grandparents, erotic films and trying to make sense of the world

BY Zoe Pilger AND Laure Prouvost |

Radical collage and cut-outs in India

BY Shanay Jhaveri |

Public art and the commemoration of World War I

BY Lara Pawson |

The consistently inconsistent career of Scottish artist Bruce McLean

BY Colin Perry |

Statements on Florine Stettheimer by Tomma Abts, Birgit Megerle, Silke Otto-Knapp, Dan Fox and Jan Verwoert

BY frieze d/e |

Bend, stretch, look

BY Raimar Stange |

Visiting the pioneering conceptual artist at his home in Germany

BY Kolja Reichert |

Using humour and ‘stupidity’, Judith Hopf tackles behavioural norms and art world expectations

BY Astrid Mania |

How artists are reclaiming the local and personal and resisting image circulation through ephemerality and collaboration

BY Pablo Larios |

Make, move, dispose, repeat

Since the late 1960s, Dorothy Iannone has displayed a radical commitment to self-expression, portraying herself and her relationships in unabashedly sexual terms

BY Kirsty Bell |