Features

Showing results 1001-1020 of 1567

Occultist, mystic, painter: the life and legacy of Hilma af Klint

BY Ronald Jones AND Liv Stoltz |

Machines, magic and music; perception, the body and beyond

Rules, strategies and conventions; role-play, photographs and cupboards

BY Kirsty Bell |

Fetish objects, totems and mementos; historical signs and the paranormal

BY Graham T. Beck |

The psychologically charged paintings of 16th-century artist Lorenzo Lotto explore hermeticism and the ‘pure profane’

BY Jan Verwoert |

Imagination as a form of resistance in the work of Klaus Weber

BY Kirsty Bell |

What do the first art works and recent speculations about early man tell us about today?

BY Tom Morton |

Portraits, abstraction and missing pieces; hobbits, systems and Syd Barrett

BY Natalie Haddad |

Social histories and spectral fictions in the films of Elizabeth Price

BY Sam Thorne |

The artist used low-resolution images in installations and curated film programmes

BY Paul Teasdale |

On the occasion of a major touring retrospective, the artist talks about her 40-year career

BY Marina Cashdan AND Lynda Benglis |

Nathaniel Mellors

Ming Wong’s homage to Pier Paolo Pasolini involved relocating the story of the Italian director’s 1968 masterpiece, Teorema, from Milan to Naples. Dominic Eichler accompanied him on his journey south

BY Dominic Eichler |

With their narrative and perceptual slippages, the films of Emily Wardill deal in condensation and complication

BY Jennifer Higgie |

Drawings and anachronisms; books, prototype designs and romanticism

BY Dan Fox |

Camcorders, convents, collectivism and confession

BY Martin Herbert |

Music, tradition and Islam; organized noise, film and instability

BY Andrew Bonacina |

A conversation between Agnieszka Kurant & Nassim Nicholas Taleb about the benefits of uncertainty

A new book documents 17 years of projects by art collective Group Material

BY Lars Bang Larsen |

Memory, exile and cultural heritage in the films of Fiona Tan

BY Brian Dillon |