Features

From American Modernism to museum archives and the legacy of her artistic family, R.H. Quaytman telescopes time and place

Drawing connections between architectural models, painting and Utopian settlements in the work of Ian Kiaer

Looking into the myriad ways in which contemporary artists have been dealing with their ambivalent relationship to the ready-made

Anne Collier’s photographs of images and objects focus on the stylized vehicles of expectation and desire

Tangrams, prints and performance; the Phoenician alphabet, Roman ruins and Greek mythology

Films, the expanded field and photographs; falling vases, melting wax and painted cars

Oriental rugs, Chinese porcelain, inherited jewellery; miniature landscapes, tautological objects and 16mm film

Tariq Alvi’s collages and sculptures explore the politics of sexual and cultural value systems

The intertwining of melancholy and possibility in contemporary photography

Tracing the history of ruins in art, from 18th-century painting to 21st-century film

Politics, poetry and the legacy of black and white photography come together in Shannon Ebner’s explorations of language and sign systems

Taped footage, poems and archival material; collage, splicing and cheap effects

Ornithology, rustic landscapes and furniture; ’60s magazines, periodicals and nature books

Biography, autonomy, portals and portholes; photographs, assemblages and sculptures

Recuperation and representation in the work of Giulia Piscitelli

The re-writing of art history in South Africa

The resurgence of interest in Italian Modernists demonstrates the European avant-garde’s influence on a new generation of artists

Filmmakers, writers and theorists, The Otolith Group mine the past in order to understand what's yet to come

Zhang Huan explores his interests in transience, Buddhism and the revitalization of traditional Chinese craftsmanship

Memory, word games and puzzles; knots, conjuring tricks and cinema