Interviews

With a solo presentation at Frieze London, Melvin Edwards discusses symbols, self-expression and his work in the Tate’s ‘Soul of a Nation’ show

Q: What do you like the look of? A: Art that does not look like art

Osei Bonsu talks to curator Germano Celant about the enduring relevance of the Italian art movement, Arte Povera – a term Celant coined 50 years ago

David Goldblatt discusses representation, censorship and his decision to remove his archive from the University of Cape Town

Bertel Thorvaldsen, Józef Poniatowski, 1826–27

Peter Hurd, Enemy Action over American Bomber Station, 1942

Artist Kerstin Brätsch and filmmaker and writer Alexander Kluge speak to Pablo Larios about algorithms, fortune-tellers and stained glass windows

On the eve of his solo exhibition at Centre Pompidou, Paulo Bruscky talks about mail art, fluxus and outwitting the Brazilian military dictatorship

Ahead of the 5th edition of his cult annual event – the first outside of New York – Stewart Uoo talks positivity, performance and parties

Poet Claudia Rankine and filmmaker Alix Lambert talk to the domestic ‘intelligent personal assistant’ about film, theatre and biases in computer programming

The artist discusses her hyper-decorated tapestries, resuscitating dying traditions and retrospective in Castelo Branco, Portugal

'Romantic, muscular, propulsive': Jace Clayton discusses his tribute to the American minimalist, ahead of its London performance this weekend

Nina Höchtl and Julia Wieger discuss researching the Austrian Association of Women Artists and their efforts to disrupt unreliable histories

Q: What images keep you company in the space where you work?

Magalí Arriola discusses Latin American identity and art history with curators Cecilia Fajardo-Hill, Julieta González and José Luis Blondet 

Q: What do you like the look of? A: Someone who knows who they are

Featured in Frieze Sculpture, and solo shows in London and Cliveden, the French artist talks about his career, Renoir, and sculpture in context

The winner of the British Journal of Photography International Photography Award 2017 talks about the ethics of documenting the migration crisis

The New York-based artist on her exploration into lost and found histories, installation as urban tapestry and the paradox of ancestry

Q: What do you like the look of? A: Pears