Interviews

On the occasion of ‘I ♥ John Giorno’ in Paris, an interview with John Giorno about poetry, art and radicalism

Q: What should stay the same? A: The sky in New Mexico, which is why we live there.

On the occasion of the large-scale exhibition Painting 2.0: Expression in the Information Age at the Museum Brandhorst, Munich, the co-curator of the exhibition, David Joselit, speaks with art historian Susanne von Falkenhausen about painting after 1960 – from spectacle to social networks

Pauline Boudry and Renate Lorenz in conversation with Laura Guy about opacity, manifestos and ‘temporal drag’

Nicolas Party and Jesse Wine meet to discuss forms, frames and learning from Giorgio Morandi

An interview with Claes Oldenburg

Q: What should change? A: Poverty in the world. Injustice.

The General Director of Rijksmuseum on the art that inspires him and why he would have loved to have listened to jazz with Piet Mondrian

David Campany talks about his latest exhibition at Le Bal, Paris and traces photography's inherently analytical nature 

Abraham Cruzvillegas talks to Jace Clayton about his approach to art-making and his philosophy of autoconstrucción

Q: What should stay the same? A: Nature.

Sam Thorne discusses activism, collaboration and the uses of absurdity with Ahmet Öğüt

Q: What should stay the same? A: The desire to tell stories

The musical pioneer Hans-Joachim Roedelius on his search for inner harmony

What was it that made the documentation of collective artist activities from the early 1990s so different, so appealing? An interview with Stephan Dillemuth about Cologne art space Friesenwall 120 and the role of video in exhibition documentation

Painting, science fiction, feminism – Antje Majewski in conversation with Andreas Schlaegel

Artist and composer Arnold Dreyblatt discusses his project Performing the Black Mountain Archive

Q. What image keeps you company in the space where you work? A. An enormous, airbrushed, lenticular hologram of myself.

Jan Kedves talks with Jimmy Robert about performance, paper and movement as a form of writing

Q. What do you like the look of? A. The everyday world: grand and microscopic.