More than 110 of the world’s leading galleries will participate in the fair, with sections for emerging talent and historical art, the Frieze Artist Award commission, Frieze Film, talks and a Frieze Week festival of culture
This year, the Billy Apple® brand turns 50. The artist formerly known as Barrie Bates talked to Anthony Byrt about a career of collaborations and controversies that has consistently redefined art’s relationships with advertising, science and technology
On the occasion of a major retrospective at M HKA in Antwerp, Jimmie Durham talks to Kirsty Bell about enthusiasm, itinerancy, cities, poetry and Cherokee mythology
For 40 years, Suzanne Lacy has worked collaboratively to create installations, videos and large-scale performances in response to social themes and urban issues
On the occasion of his retrospective at Kunstmuseum Wolfsburg, Frank Stella talks about illusionism, abstract expressionism and the inevitable mechanics of gesture in painting
Monika Baer talks about her approach to painting’s surfaces, which teeter between anti-illusionism and illusionism, tactile and optical qualities, real holes and key holes
For the 7th Berlin Biennale Forget Fear, co-curators Artur Zmijewski and Joanna Warsza invited members from Occupy Movements around the world to take over the ground floor of the Kunst-Werke. How are the members fairing? Berlin-based critic Raimar Stange sat down to talk to Noah Fischer, an artist-activist based in New York. In addition to occupying Forget Fear, Fischer will be participating in this fall's Steirischer Herbst festival in Austria.
A: It’s a way of resisting the lack of meaning in things, a desperate attempt to make sense of how random and absurd the world is — and it’s also a way of celebrating exactly that.
As a director, writer, artist and, more recently, curator, John Waters has been dealing in taste and transgression for close to 50 years. Here he talks about sex, death, God and the art world