Interviews

Showing results 561-580 of 895

Q. What do you like the look of? A. I like the look of you. You're looking pretty good.

BY Sarah McCrory |

Q. What should stay the same? A. I don’t understand the question.

BY Park Seo-Bo |

Frieze Projects curator, Cecilia Alemani, reveals her unrealized (and occasionally unrealizable) projects

Jacolby Satterwhite talks to Evan Moffitt about animation, sex and choreography

BY Evan Moffitt |

Judith Clark talks to Diane Simpson about the influence of abstraction, architecture and fashion on her sculptures

BY Judith Clark |

Matt Mullican talks about his 40-year career in relation to his recent project, The Meaning of Things

BY Jörg Heiser |

The artist Julia Scher talks about her series of 'Surveillance Beds'

BY Noemi Smolik |

Q. If you could live with only one piece of art what would it be? A. Las Meninas (1656), my first art-love. 

BY David Lamelas |

Q. What should change? A. My hairstyle.

BY Imran Qureshi |

Artist Peter Wächtler talked to Walter Swennen about the pitfalls of poetry and painting as an impure practice

BY Peter Wächtler AND Walter Swennen |

Q. What should change? A. Religious obsessions.

On the occasion of ‘I ♥ John Giorno’ in Paris, an interview with John Giorno about poetry, art and radicalism

BY Andrew Hultkrans |

Q: What should stay the same? A: The sky in New Mexico, which is why we live there.

On the occasion of the large-scale exhibition Painting 2.0: Expression in the Information Age at the Museum Brandhorst, Munich, the co-curator of the exhibition, David Joselit, speaks with art historian Susanne von Falkenhausen about painting after 1960 – from spectacle to social networks

BY Susanne von Falkenhausen |

Pauline Boudry and Renate Lorenz in conversation with Laura Guy about opacity, manifestos and ‘temporal drag’

BY Laura Guy |

Nicolas Party and Jesse Wine meet to discuss forms, frames and learning from Giorgio Morandi

BY Jesse Wine |

An interview with Claes Oldenburg

BY Dan Fox |

Q: What should change? A: Poverty in the world. Injustice.

BY Agnès Varda |

The General Director of Rijksmuseum on the art that inspires him and why he would have loved to have listened to jazz with Piet Mondrian

David Campany talks about his latest exhibition at Le Bal, Paris and traces photography's inherently analytical nature 

 

 

BY Jennifer Higgie AND David Campany |