Opinion

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The artist and creator of the fair-campaign imagery for Frieze Los Angeles talks about encapsulating a city’s “moments of depth and detail”

BY Nathan Seabrook |

To mark Frieze Los Angeles 2022 legendary new neighbour, Gracie Hadland looks at the historic comings and goings of the hotel's infamous clientele 

BY Gracie Hadland |

Evan Moffitt asks if mega-gallery OMR's newest institutional space, LAGO, could be an answer to the country's museum funding crisis

BY Evan Moffitt |

Amidst public criticisms, open letters and Miriam Cahn pulling her work, Kito Nedo explores why Switzerland’s largest art museum is still displaying Emil Bührle's controversially acquired collection

BY Kito Nedo |

Gessica Généus’s feature film debut tells a touching story about a young woman’s struggle to find hope in a country full of despair and violence

BY Terence Trouillot |

Matt Lloyd Turner reviews IFFR’s Tiger Shorts Competition – programming focused on collectivity – to see what changes when viewed on a computer screen

BY Matt Lloyd Turner |

On the occasion of Auerbach’s survey exhibition at SFMOMA, the artist speaks to Fanny Singer about disputed science experiments and irregular approaches to artmaking

BY Fanny Singer AND Tauba Auerbach |

A new book of Derek McCormack's collected writing captures his irreverent take on fashion, from Kathy Acker to Jean-Paul Gaultier and the late Thierry Mugler

BY Sophie Tolhurst |

From accessibility rights to environmentalism, three frieze editors look ahead to what should change in the art world in 2022

The series reboot is a solemn reminder of the tribulations that come from being under the voluntary and constant scrutiny of the roving lens

BY Ian Bourland |

The artist speaks to Saim Demircan about the storied exhibition space, the Orchard gallery, and his innovative films documenting its three-year run

BY Saim Demircan AND Jeff Preiss |

After a swarm of bad press, Huw Lemmey speaks to the much-maligned attraction on the occasion of its closure

BY Huw Lemmey |

From the red/blue pill symbolism to the trans allegory, McKenzie Wark muses on the real-life narratives surrounding the simulated world of The Matrix

BY McKenzie Wark |

In a new translation of her innovative interviews, the writer exposes the layers behind being a critic in the 20th century

BY Ara H. Merjian |

Rhea Dillon, Harmony Holiday, Legacy Russell, Bolanle Tajudeen and McKenzie Wark honour the influential US author and thinker

From neo-surrealist painting to coarse conceptualism, three frieze editors discuss the year in art

Billed as an update of the Soviet-era House of Culture, Andrew Pasquier visits the Russian capital's recently opened cultural hub 

BY Andrew Pasquier |

Collected in a new volume, Hubbs’s new photographs transform humiliation and degradation into pillars of personal power

BY Chris Wiley |

The artist recounts constructing transitory interventions in the face of inflexible bureaucracy

BY Renata Lucas AND Ela Bittencourt |

At Goodman Gallery, Cape Town, the artist presents a video that addresses the issue of gender-based violence and femicide in South Africa

BY Ayodeji Rotinwa |
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