Opinion

The artist’s multidisciplinary practice dives into the unexpected depths of the ordinary and mundane

Amid a growing political crisis in the US, the artist’s 1970 body print emerges as a powerful call to action 

Far from cold or concrete, this celebrated film pulses with raw emotion, fuelled by the passions and worldview of its creators

Lisette May Monroe reports on frieze magazine’s festive bash, reflecting on what makes an artistic soirée 

In a newly translated collection, There Lives a Young Girl in Me Who Will Not Die, Ditlevsen's social realism portrays all walks of life

A key figure of Minimalist painting, the artist radically challenged the limitations of the canvas

At the Institute of Contemporary Arts, London, the artist’s debut live performance pulses with visceral intimacy and raw vulnerability

The adventures of Gimley Bunning, roving reporter in the art world

In recent decades, most artists representing the UK in Venice have been born in the 1960s. Did Britain stop innovating?

Known for his nightmarish visions of an American mythology, the director inspired a generation of filmmakers with his dreamlike, eccentric and painterly style 

Frieze contributing writer Jonathan Griffin reflects on the devastation and resilience of a city transformed

The city’s cultural scene has long branded itself as radical but, for too long, politics has been confined to exhibition walls

Halina Reijn’s latest film about a middle-aged woman’s foray into the world of BDSM, starring Nicole Kidman, feels woefully outdated

Other highlights include BBC’s ‘The Traitors’ and a concert by artist band ExOrg at London’s Café OTO

For years, the mesmeric painter and performer defied categorization before becoming known for his ethereal canvases

The artist looks back on her years of activism and defiance against oppressive regimes

On her centenary, writers and artists consider the painter’s pioneering abstract expressionism and lasting artistic legacy

An urgent new book presents a housing vision centred on collectivity and communal living

In Sanja Grozdanić and Bassem Saad’s performance, memorializing violence becomes a defiant act

Through film, installation and sculpture, the artist’s unsettling work reveals the horror within the medical-industrial complex