For 35 years, Ericka Beckman has been making films which combine choreographed set pieces and ‘designed camera movements’ that anticipate the work of a new generation of artists
The self-proclaimed ‘purveyors of sinister whimsy to the wretched’ are admirable, not only for a staggering level of productivity, but for being so reliably unpredictable
The future of Zurich’s Löwenbrau Complex – with its mix of public institutions and commercial galleries – is finally secure after two years of redevelopment at the site
Philip Scheffner’s work stands for a new wave of German political documentary. His latest film Revision restores the history of two refugees who died under mysterious circimstances