Reviews

The artist’s video installation at Berlinische Galerie sheds new light on female strategies of self-staging

Why has the artist chosen to adapt a novel that has been criticized for its portrayal of Black characters?

Gaby Sahhar’s solo show explores London city life via pen-and-ink drawings and a video

The work of Martin Creed, Giorgio Griffa and Tatsuo Miyajima all, in their own way, attempt to make sense of a chaotic world

In her solo show at CCA Wattis, San Francisco, the artist invokes sports awards to critique our obsession with victory

Two parallel exhibitions in LA, at Blum & Poe and Nonaka-Hill gallery, show how Japanese artists of the 1980s and ‘90s confronted Postmodernism

Domènec’s show at adn galeria, Barcelona looks to the fraught legacies of Spain’s mass communal housing

This year’s biennial amplifies previously silenced voices, but the results are discordant

At Nottingham Contemporary, the artist reflects on intertwined histories of data and digging

An exhibition at Croy Nielsen, Vienna, explores the female gaze on a world which seems murkier than ever

For her fourth exhibition at Jack Shainman Gallery, New York, the artist paints portraits from her imagination

At Pioneer Works, Brooklyn, the Dutch artist’s dystopian grandeur forces us not just to think about the industrial condition, but actually feel it

A new show at Collective, Edinburgh, makes poetry of physical actions

A retrospective at Neues Museum Nürnberg assembles the artist’s gleeful critiques of social, political and economic conditions  

At Blain|Southern, London, the Mexican artist’s primordial canvases evoke the beginning of the beginning

An exhibition at neugerriemschneider, Berlin, explores the healing properties of sticks as a symbol for social change

At Galleria Massimo Minini, Brescia, the artist explores technical virtuosity and trompe l’oeil through bronze-branches on fire, fake mirrors and floating candles

At Museu de Arte de São Paulo and Casa de Vidro, São Paulo, hand-woven sculptures inhabit the buildings, incorporating tree trunks and branches

At the heart of Wächtler’s work at Bergen Kunsthall, is a notion of narrative, however fractured, fugitive, misleading or opaque

The latest edition powerfully frames narratives of colonialism, exploitation and survivance