US Reviews

Showing results 181-200 of 262

At The Drawing Center, New York, the artist presents a site-specific installation of large-scale drawings showcasing the bodily contortions of her crass cartoon counterpart, Fatebe

BY Anthony Hawley |

At Andrew Edlin Gallery, New York, the late artist’s drawings and sculptures celebrate the spirit and history of southern Black communities

BY Saim Demircan |

At the Georgia Museum of Art, Athens, a retrospective of the artist’s prominent career highlights her ingenuity across various mediums

BY Logan Lockner |

At Galeria Luisa Strina, São Paulo, the artist presents a series of paintings, drawings and collages that capture the physical and mental endurance of confinement

BY Ela Bittencourt |

At Friends Indeed Gallery, the artist presents eight large-scale paintings depicting herself, loved ones and life as part of the Asian diaspora

 

BY Natasha Boas |

In a new book and exhibition at Artists Space, New York, Tiffany Sia develops a ‘wet ontology’ of a city in perpetual crisis  

BY Jeppe Ugelvig AND Tiffany Sia |

At the Montreal Museum of Fine Arts, the artist moves between colourful figuration and abstraction to capture the experiences of trauma, loss and hope

BY James D. Campbell |

From PS1’s abolitionist exhibition to Hague Yang’s world of precious objects, these are the best shows in North America

BY Terence Trouillot |

The artist's first institutional solo show at the Whitney Museum of American Art explores lives of Brown, queer subjects through a scrim of nostalgia

BY Tausif Noor |

At The Aldrich Contemporary Art Museum, the artist's series of stoneware works offer a feminist critique of domestic life under the unmistakable presence of death

BY Will Fenstermaker |

At MoMA PS1, New York, Nicole R. Fleetwood curates a show that considers the artistic output of those irrevocably shaped by the conditions of the prison industrial complex

BY Catherine Damman |

At Artists Space, New York, a retrospective of the collective’s body of work reminisces on the punkish criticality of the 1990s 

BY Simon Wu |

Hannah Hoffman, Los Angeles, presents a collection of the artist’s photographs documenting Chelsea Piers cruising culture in the 1970s and ’80s 

BY Gracie Hadland |

At the Wexner Center for the Arts, the artist draws connections between the US Voting Rights Act of 1965 and Albers’s theory of colour

BY Natalie Haddad |

At Yossi Milo gallery, New York, the artist’s manipulated photographs of Manitoba forests cut through the optimism of the hippie dream

BY Joseph R. Wolin |

At Prizer Arts & Letters, Austin, the artists present works that reaffirm the US experiment is ongoing

BY Lauren Moya Ford |

‘Made in L.A. 2020: a version’, slated to open in 2021, exposes the horrors of American life pre-pandemic

BY Jonathan Griffin |

Exhibited in defunct phone booths along 6th Avenue, artists including Renée Green, Glenn Ligon, Patti Smith, and Rirkrit Tiravanija ask us to engage with the world around

BY Paul Stephens |

Diverging from filmic poetry, at Magenta Plains, New York, the artist presents a new body of work without his usual smattering of textual imagery

BY Paige K. Bradley |

Two concurrent shows at the Bronx Museum and Marianne Boesky Gallery, New York, track the artist’s career and ‘chopped-and-screwed’ process of reimagining art history

BY Rahel Aima |