US Reviews

At Karma, New York, the artist presents a new body of work that goes beyond the ‘gestural abstraction’ for which she is best known

At White Columns, the artist presents a series of neon works that highlight ‘critical moments in US history’ from 1526 to 2019

The Spanish Harlem museum presents a survey of the influential artist collective Taller Boricua

At CULT Aimee Friberg Exhibitions, the artist presents a series of vanitas-inspired paintings about Bay Area slang

Conceptual artist Patrick Jackson presents a series of photographs and glass shelves that riff on modernism and minimalism

In a generous survey at the Museu de Arte de São Paulo, the artist reminds us that, even in times of adversity, art has the power to bring people together

At von ammon co., Washington, D.C., the artist presents a series of new-media works that further his ‘New Peace’ polemics against the West’s exploitation of the natural world 

At Bortolami, New York, the artist presents a series of text-based banners inspired by the words of two female modernist poets

At Galerie Lelong & Co., the late artist’s paintings fuse real and imagined histories of his life in Eritrea

At COMPANY, New York, the artist presents nine, larger-than-life-size silicone figures, clad in the capitalist filth of a not-so-distant future

At Essex Street, New York, the artist presents an array of prefabricated objects through the lens of disability and chronic illness

At Petzel Gallery, New York, the artist presents a suite of paintings inspired by the life-simulation game

At PDX Contemporary Art, Portland, the artist presents contrasting works on paper that recall Sergei Eisenstein’s theory of montage

At Ortuzar Projects, New York, the artist’s radiant portraits of travellers on ‘citizen ships’ maintain ‘an abiding faith in the power of the human spirit’

At Situations, New York, the photographer’s portraits of lovers and Elvis-obsessed Swiss youths share sartorial cues

At James Cohan, New York, a suite of new paintings harken back to the chaotic pre-COVID streets

At Bel Ami, the artist uses the sonic and sculptural qualities of casino games to invoke modernism’s long obsession with chance

The artist’s bracing performances demonstrate that institutions – and perception itself – can never be neutral

A new exhibition at Turner Contemporary, Margate, proposes a backyard narrative of the US civil rights movement

The artist’s online project enacts a daily fantasy of revenge – or reparation – for the Western history of institutional racism and colonialism