US Reviews

At Friends Indeed, San Francisco, the artist mines European and indigenous American sources to form a new abstract language

An online presentation organized by Julie Ault and Martin Beck documents the artists’ friendship and creative exchanges 

At the DeYoung, San Francisco, ‘Uncanny Valley’ deftly examines the consequences of our capitulation to AI

At Adams and Ollman, Portland, the artist’s recent paintings depict scenes now impossible in quarantine 

At Spelman College, the artist’s selection of images from the Johnson Publishing Company celebrates ‘a house that black entrepreneurship built’ 

The artist presents a range of paintings and sculptures at The Contemporary Austin that problematize grand historical narratives 

At the Whitney Museum, an ambitious survey shows the transformative effects of Mexican muralism on the US avant-garde 

The artist’s photographs of domestic spaces, souks and bodegas, displayed on 100 bus stops around New York and at Helena Anrather, are ‘altogether unworldly’ 

At Marlborough, New York, the Puerto Rico-based artist builds a new pantheon from the wreckage of colonialism and Hurricane Maria 

At Lévy Gorvy, New York, the painter reinscribes the female gaze into art history

‘New Images of Man’, curated by Alison Gingeras at Blum & Poe, Los Angeles, is ‘part homage, part radical revision’ of the eponymous exhibition

At the DePaul Art Museum, Chicago, the artist’s methodical excavation of her own home results in deeply evocative paintings

The artists’ joint presentation at MoMA considers the ways human biology both coexists with – and is subsumed by – modern technology

At David Zwirner, New York, the late painter’s work speaks frankly to a black audience without distracting appeals to white art audiences

At Chapter, New York, collages on canvas and ceramic fuse references to Jewish mysticism and the history of craft

At Kayne Griffin Corcoran, Los Angeles, the artist’s paintings of the Sonoran desert span millennia of cultural references

At Gladstone Gallery, New York, the colourful lives of gay icons comprise a cultural self-portrait

Boskovich wanted to inhabit a place that made no distinctions between sculpture and furniture, curation and decor, art and everyday life

The sculptor’s solo exhibition at Oakville Galleries blurs the boundaries between chance and artistic selection

The painter’s work, on view at Tina Kim Gallery in New York, focuses our sight while urging us beyond it