Five Shows to See in the UK this Winter
From an exhibition of Zineb Sedira’s maritime works at De La Warr Pavilion, Bexhill-on-Sea, to Anne Imhof’s labyrinthine locker room at Sprüth Magers, London
From an exhibition of Zineb Sedira’s maritime works at De La Warr Pavilion, Bexhill-on-Sea, to Anne Imhof’s labyrinthine locker room at Sprüth Magers, London
Zineb Sedira
De La Warr Pavilion, Bexhill-on-Sea
24 September 2022 – 08 January 2023
The first piece on show in ‘Can’t You See the Sea Changing?’ – a retrospective of Zineb Sedira’s ocean-oriented work – is Registre de phare (Lighthouse Register, 2011), a display of logbook entries for a lighthouse in Cap Caxine, Algeria. Initially, bar the charm of old-fashioned cursive, the pages of the logbook appear unremarkable: a record of visitors received and duties performed. However, on closer inspection, the entries produce a minor portrait of decolonization. Following the Algerian War (1954–62), which led to the nation’s eventual independence from France, the names of visitors change from French to Algerian. – Rosanna McLaughlin
Claye Bowler
Henry Moore Institute, Leeds
07 October 2022 – 15 January 2023
Documenting a personal and collective history of trans experience, Claye Bowler’s solo show ‘Top’ comprises an installation of drawings, sculptures and video produced since the artist had top surgery – a procedure to remove breast tissue – in 2016. Bowler presents objects in various materials, including latex and plaster, on shelving racks redolent of a museum archive that, in being made accessible to the public, upends trans visibility in society. – Ania Kaczynska
Anne Imhof
Sprüth Magers, London
23 September – 23 December
From the entrance on Grafton Street, Anne Imhof’s solo exhibition ‘Avatar II’ looks like a changing room in a gym. There are rows of lockers and a board that you might expect to be used to display information, but is, in fact, the back of Pacific (all works 2022), one of Imhof’s ‘scratch’ paintings on aluminium panels, which punctuate the space. Some of the lockers, left open, contain concrete blocks; a few have posters of 1990s film stars lending just a little humanity to a space that feels, on first glance, incredibly sterile. – Juliet Jacques
Veronica Ryan
Alison Jacques
29 September – 21 December
After an object is thrown up into the air, there is a moment of complete stillness which bridges the peak of its ascent and the beginning of its fall back to earth. This brief pause, one of the few things I remember from high school physics, resurfaced in my mind during my visit to Veronica Ryan’s first solo show at Alison Jacques. The exhibition contains more than 50 works that are – in the truest sense – spread across the space: mounted on walls, suspended from the ceiling, stacked in corners and laid out across the floor. – Salena Barry
Forrest Bess
Camden Art Centre
30 September 2022 – 15 January 2023
Framed in beaten, weathered driftwood, Forrest Bess’s paintings might almost have been found washed up on the shore one bleak morning after a storm. This weather-beaten aesthetic pervades ‘Out of the Blue’, Camden Art Centre’s retrospective of more than 40 works by Bess produced between the 1940s and ‘70s, thanks to the artist’s ability to play with texture, cracking and scratching abstract shapes. Thick drops of acrylic make you want to reach out and run your fingers over their surfaces to discern Bess’s visions through touch, not just sight. – Vaishna Surjid
Main image: Veronica Ryan, 2022, exhibition view. Courtesy: © Alison Jacques, London; photograph: Eva Herzog