What makes a commercial exhibition 'museum quality'
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This edition of AV Festival, held in Newcastle and Gateshead, asks: can socialist concerns and agendas be rehabilitated for today’s anxious times?
In further news: London’s Southbank Centre launches club night ‘Concrete Lates’; Anselm Kiefer creates first US site-specific outdoor sculpture
Sexual harassment is not a morality melodrama – it will persist if workers continue to exert so little control over their working conditions
Two shows in London, by Yto Barrada and Ala Younis, suggest that the unwritten future need not be as unjust or limiting as the erased past
At MACAAL, one of Marrakech’s many new cultural spaces, a rich photo survey rooted in journalistic, historical and anthropological enquiry
At a time of rising xenophobia and precarity, former Queens Museum director Laura Raicovich on why arts institutions must step up
What Nan Goldin’s protesting of the Sacklers’s complicity in the US opioid crisis tells us about self-deification and patronage
In the artists’ film strand, Margaret Salmon, Basma Alsharif and Martine Syms showed a strong emphasis on people, place and storytelling
An open letter in support of the soon to be ousted curator María Inés Rodríguez has been signed by more than 50 prominent art professionals
From Ragnar Kjartansson’s Italo-pop-infused The Sky in a Room to Matt Stokes’s happy hardcore recitals: the organ’s profane potential
Once dubbed ‘the world’s factory floor’, Shenzhen has re-invented itself as a centre of innovation
Changing shapes and sizes on stage is a good move, but a complicated one
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