Sex Work

A new section for 2017, curated by Alison Gingeras, exploring feminist art and radical politics

New for 2017, independent curator and scholar Alison Gingeras presents Sex Work: Feminist Art & Radical Politics.

The section at Frieze London will be dedicated to women artists working at the extreme edges of feminist practice since the 1960s, and the galleries who supported them, including: Galerie Andrea Caratsch presenting Betty Tompkins; Blum and Poe presenting Penny Slinger; Richard Saltoun presenting Renate Bertlmann; Salon 94 presenting Marilyn Minter; and Hubert Winter presenting Birgit Jürgenssen.

Sex Work, Gingeras has said, will ‘pay homage to artists who transgressed sexual mores, gender norms and the tyranny of political correctness and were frequently the object of censorship in their day’ in addition to ‘highlighting the seminal role galleries have played in exhibiting the radical women artists who were not easily assimilated into mainstream narratives of feminist art.’

‘These galleries often blazed a trail for museum exhibitions’, she explains. ‘Many figures in this section - such as Renate Bertlmann, Birgit Jürgenssen, Penny Slinger and Betty Tompkins - were too transgressive to be included in anthologizing museum shows, which arguably forged a consensual canon for important feminist art. The belated reception of these pioneering women has had a profound impact on many artists working today and resonate more than ever with the new feminisms that are taking shape in response to contemporary political realities.’

Galleries Participating in Sex Work :

Air de Paris, Paris Dorothy Iannone

Baldwin Gallery, Aspen Marilyn Minter
Blum & Poe, Los Angeles Penny Slinger
The Box, Los Angeles Judith Bernstein
Galerie Andrea Caratsch, St. Moritz Betty Tompkins
Karma International, Zurich Judith Bernstein
David Lewis, New York Mary Beth Edelson
lokal_30, Warsaw Natalia LL

Regen Projects, Los Angeles Marilyn Minter
Salon 94, New York Marilyn Minter
Richard Saltoun, London Renate Bertlmann
Galerie Hubert Winter, Vienna Birgit Jürgenssen

Renate Bertlmann, Eva im sack (‘Eva in bag’, 2010) (detail). Digital print, 80 x 80 cm. Courtesy: the artist and Richard Saltoun, London

Most Read

Ignoring its faux-dissident title, this year's edition at the New Museum displays a repertoire that is folky, angry,...
An insight into royal aesthetics's double nature: Charles I’s tastes and habits emerge as never before at London’s...
In other news: Artforum responds to #NotSurprised call for boycott of the magazine; Maria Balshaw apologizes for...
At transmediale in Berlin, contesting exclusionary language from the alt-right to offshore finance
From Shanghai to Dubai, a new history charts the frontiers where underground scenes battle big business for electronic...
Hauser & Wirth Somerset, Bruton, UK
Zihan Karim, Various Way of Departure, 2017, video still. Courtesy: Samdani Art Foundation
Can an alternative arts network, unmediated by the West's commercial capitals and burgeoning arts economies of China...
‘That moment, that smile’: collaborators of the filmmaker pay tribute to a force in California's film and music scenes...
In further news: We Are Not Surprised collective calls for boycott of Artforum, accuses it of 'empty politics'; Frida...
We Are Not Surprised group calls for the magazine to remove Knight Landesman as co-owner and withdraw move to dismiss...
Paul Thomas Anderson's latest film is both gorgeous and troubling in equal measure
With Zona Maco opening in the city today, a guide to the best exhibitions across the Mexican capital
The question at the heart of Manchester Art Gallery’s artwork removal: what are the risks when cultural programming...
In further news: Sonia Boyce explains removal of Manchester Art Gallery’s nude nymphs; Creative Scotland responds to...
Ahead of the India Art Fair running this weekend in the capital, a guide to the best shows to see around town
The gallery argues that the funding body is no longer supportive of institutions that maintain a principled refusal of...
The Dutch museum’s decision to remove a bust of its namesake is part of a wider reconsideration of colonial histories,...
At New York’s Metrograph, a diverse film programme addresses a ‘central problem’ of feminist filmmaking
Ronald Jones pays tribute to a rare critic, art historian, teacher and friend who coined the term Post-Minimalism
In further news: curators rally behind Laura Raicovich; Glasgow's Transmission Gallery responds to loss of Creative...
Nottingham Contemporary, UK
‘An artist in a proud and profound sense, whether he liked it or not’ – a tribute by Michael Bracewell
Ahead of a show at Amsterdam’s EYE Filmmuseum, how the documentarian’s wandering gaze takes in China’s landscapes of...
In further news: Stedelijk explains why it cancelled Ettore Sottsass retrospective; US National Gallery of Art cancels...
With 11 of her works on show at the Musée d'Orsay, one of the most underrated artists in modern European history is...
Reopening after a two-year hiatus, London’s brutalist landmark is more than a match for the photographer’s blockbuster...
What the Google Arts & Culture app tells us about our selfie obsession
At a time of #metoo fearlessness, a collection of female critics interrogate their own fandom for music’s most...
A rare, in-depth interview with fashion designer Jil Sander

Latest Magazines

frieze magazine

October 2017

frieze magazine

November - December 2017

frieze magazine

January - February 2018