Weekend Reading List

From Sergei Eisenstein's erotica to ideas for a pneumatic parliament: what to read this weekend

255558182-01182017-sergei-eisenstein-bomb-4.jpg

Sergei Eisenstein, Untitled, 1942, coloured pencil on paper. Courtesy: Alexander Gray Associates, New York and Matthew Stephenson, London

Sergei Eisenstein, Untitled, 1942, coloured pencil on paper. Courtesy: Alexander Gray Associates, New York and Matthew Stephenson, London

  • ‘To open windows on the given world that allow us to see outside it’ – Margaret Atwood on the role of art in the age of Trump.
     
  • Why has the women’s march on Washington become as divisive as it is unifying?
     
  • From the frieze magazine archive: does the fragile state of Western democracy call for the formation of a ‘pneumatic parliament’?
     
  • If you think of Soviet director Sergei Eisenstein as earnestly political rather than perversely playful, a new exhibition of his erotic drawings may well change your mind.
     
  • From frieze.com: editor Dan Fox’s moving tribute to longtime frieze contributor Mark Fisher who sadly passed away last week.
     
  • The unconscious is a political problem – an article on mental health from Fisher himself.
  • ‘The writer with an underlying hatred of writing, as if each word was a stain on the page’ – a new publication on Thomas Bernhard.

Paul Clinton is a writer based in London, UK. He is associate editor of frieze and Frieze Masters Magazine. In 2015 he co-curated the exhibition 'duh? Art & Stupidity' at Focal Point Gallery, Southend-on-Sea, UK.

Most Read

Ahead of the third Antwerp Art Weekend, a guide to the best shows across the city
On Alan Clarke’s Rita, Sue and Bob Too, the death of Ian Brady, and what laughter might conceal
Celebrating its 70th anniversary, a preview of some of the highlights of this year’s film festival which opens today
Ahead of Paris Gallery Weekend, a round-up of the best shows to see in the French capital
A stroll through the off-site shows
Anne Imhof and Franz Erhard Walther win Golden Lions; the Louvre Abu Dhabi to finally open
Tate Britain, London, UK
Werken, 2017, Chilean pavilion, Arsenale, 57th Venice Biennale. Courtesy: La Biennale di Venezia; photograph: Italo Rondinella
Highlights of the National Pavilions in the Arsenale
The best of the National Pavilions across the city and the Fondazione Prada’s intricate, collaborative exhibition
A first look at ‘Viva Arte Viva’ at the Arsenale
First impressions of Christine Macel’s ‘Viva Arte Viva’ in the Central Pavilion
The second in our series of daily reports from Venice, more of the best National Pavilions in the Giardini
The first in our series of reports from the Venice Biennale: the best of the National Pavilions in the Giardini
Phyllida Barlow, folly, 2017, installation view, commissioned by the British Council for the British Pavilion at the 57th International Art Exhibition, La Biennale di Venezia. Courtesy: the artist, Hauser & Wirth, Zurich, London and New York, and © British Council, London; photograph: Ruth Clark
Tanya Harrod on the art of Phyllida Barlow, who is representing Britain at the 57th Venice Biennale 
Geta Brătescu, Towards White (Către alb), 1975, black and white photographs. Courtesy: Collection of the National Museum of Contemporary Art Bucharest 
Camden Arts Centre, London, UK
A guide to the off-site shows in Venice this week
A brief history of the Venice Biennale
A response to some of the responses
The best shows to see across town during Frieze Week New York

Latest Magazines

frieze magazine

March 2017

frieze magazine

April 2017

frieze magazine

May 2017