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Contributor
Tom Morton

Tom Morton is a writer, curator and contributing editor of frieze, based in Rochester, UK.
Features
Dark matter

Claire Barclay

BY Tom Morton |
Reviews
Lyon Biennale

Various Venues

BY Tom Morton |
Reviews
Wolfgang Tillmans

Tate Britain, London, UK

BY Tom Morton |
Features
On The Waterfront

Tom Morton looks at the work of Dominique Gonzalez-Foerster

BY Tom Morton |
Reviews
50th Venice Biennale

Various Venues

BY Tom Morton |
Reviews
Pierre Bismuth

Lisson Gallery, London, UK

BY Tom Morton |
Reviews
Elizabeth Peyton

RomaRomaRoma, Roma, Italy

BY Tom Morton |
Features
In the beginning

Charles Avery

BY Tom Morton |
Features
Stars in Their Eyes

The NASA Art Collection

BY Tom Morton |
Reviews
J P Munro

Sadie Coles HQ, London, UK

BY Tom Morton |
Features
Bon Voyage

Pierre Huyghe

BY Tom Morton |
Reviews
Douglas Gordon’s Fractured Exercise in Autobiography

At Hayward Gallery, the artist explores authorship, satanism and the all-being ‘I’

BY Tom Morton |
Opinion
Philosophy

The Mythologizing of Roland Barthes

BY Tom Morton |
Features
Mining for Gold

Jeremy Deller

BY Tom Morton |
Reviews
Liverpool Biennal

Various Venues, UK

BY Tom Morton |
Reviews
Early One Morning

The Whitechapel Art Gallery, London, UK

BY Tom Morton |
Profiles
Vital Statistics

Edward R. Tufte and the art of data presentation

BY Tom Morton |
Opinion
Cryonics and the Pursuit of Freedom From Mortality

Tom Morton on Walt Disney, 20th-century science fiction movies and the prospect of revival from death

BY Tom Morton |
Reviews
Chris Ofili

Victoria Miro Gallery, London, UK

BY Tom Morton |
Frieze
The Crystal Method

Roger Hiorns

BY Tom Morton |