Andrea Rosen Gallery, New York, Hauser & Wirth, London, and Massimo de Carlo, Milan

Matthew McLean

Latest Articles

Josh Lilley, London, UK

Harry Thorne

Part 3 of Bert Rebhandl’s film picks: food for thought in Naomi Kawase’s latest

Bert Rebhandl

From intellectual freedom to the Republican Party convention: what to read this weekend

Paul Clinton

Iranian authorities drop all charges against Parviz Tanavoli, while UNESCO pay tribute to Le Corbusier

From Duchamp to Roald Dahl's The Witches, the London-based artist selects the images that have stuck with her

Rebecca Ackroyd

Thomas Vinterberg’s return to form: part two of the best new film releases selected by Bert Rebhandl

Bert Rebhandl

After his 14-year-old blog was deactivated without explanation, Dennis Cooper speaks to Andrew Durbin about Google, GIF fiction and censorship

Andrew Durbin

Yerba Buena Center for the Arts, San Francisco, USA

Wendy Vogel
Andrzej Steinbach, Untitled (reading), 2016, Fine Art Print, 40 x 60 cm. Courtesy: ASPN Gallery, Leipzig

ASPN, Leipzig, Germany

Moritz Scheper

A round-up of the best current shows in the Lebanese capital

Kaelen Wilson-Goldie

A report from the 47th edition of the annual photography festival

Simon Bowcock

LA residents call for galleries to leave their neighbourhood and legendary Factory photographer Billy Name passes away

Athina Rachel Tsangari, Chevalier, 2015, film still. Courtesy: Strand Releasing 

Bert Rebhandl selects three of the best new film releases: part 1, a Greek maritime comedy

Bert Rebhandl

On art, architecture, and domestic effects of digitalization

Ana Teixeira Pinto

Sherman Contemporary Art Foundation, Sydney, Australia

Tom Melick

The Glass House, New Canaan, Connecticut, USA

Evan Moffitt

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A report from the 47th edition of the annual photography festival


The Glass House, New Canaan, Connecticut, USA

City Report

On the city's flourishing gallery scene

Culture Digest

On Maren Ade’s Toni Erdmann, the critics’ favourite at this year's Cannes Film Festival

City Report

Marguerite Humeau, Mono-ha and multiple worlds: a guide to the best current shows in the capital


Museum Rietberg, Zurich, Switzerland

Critic's Guide

Near and far, fact and fiction: highlights from this year's festival


Marian Goodman Gallery, London, UK


Ross Simonini talks to legendary American dancer Anna Halprin about movement, healing and improvisation


James Bridle, a judge of this year’s Frieze Writer’s Prize, explains how he became a writer
A memorial to victims of the Pulse nightclub shooting in front of the Dr. Phillips Center for the Performing Arts in downtown Orlando, Florida. Photograph: Stephen M. Dowell/TNS via ZUMA Wire


Reflecting on the fragility of queer Latin@ safety

City Report

Sean O'Toole considers the activism finding its way into the city's art scene
Equipo Palomar, No es homosexual simplemente el homófilo sino el segado por el falo perdido (The homophile is not just homosexual, but the man blinded by the lost phallus, 2016), production still. Courtesy: the artists 

Critic's Guide

Contributing editor Max Andrews selects the best shows in the city


Hammer Museum, Los Angeles, USA

City Report

A report from the inaugural ‘Thinking at the Edge of the World’ conference, held on the Norwegian...


Artists' Film - 22 Jun 2016

How might east London look two weeks after Brexit? Lawrence Lek presents an updated version of his 2015 work Dalston, Mon Amour

20 Jun 2016

Stockhausen's Helicopter Quartet; Sufi dancers; Underground Resistance 


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Frieze Week, New York, issue 2, 2016

Frieze Week

New York, 2016

frieze d/e

Summer 2016

frieze magazine

June - August 2016

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