Editorial

Opinion - 26 Jul 2017

Buffer Zone

The City of London’s annual sculpture park reveals the complex interplay between global corporations, urban space and ‘the public’

By John Bingham-Hall

Latest Articles

Review - 26 Jul 2017

Leticia Ramos

Mendes Wood DM, São Paulo, Brazil

By Luisa Duarte

Profile - 26 Jul 2017

A Brief History of the Future

A recent show traces the creative legacies of an artist and an architect who helped shape Japan’s futurist aspirations

By Philip Brophy

News - 25 Jul 2017

Briefing

Istanbul Biennial announces artists; Abounaddara say Milan Triennale showed work without consent; Beirut Arab Art Museum to open in 2020

Profile - 25 Jul 2017

In Memoriam: Khadija Saye

Friends and mentors of the artist Khadija Saye pay tribute to an extraordinary talent

By Nicola Green, Josie Dobrin and Ingrid Swenson

Review - 24 Jul 2017

‘TV 70: Francesco Vezzoli Watches Rai’

Fondazione Prada, Milan, Italy

By Barbara Casavecchia

Opinion - 24 Jul 2017

Quilting Points

The Baltic Centre for Contemporary Art inaugurates its biennial artists’ award with a show marked by the idea of transference

By En Liang Khong

Culture Digest - 21 Jul 2017

Weekend Reading List

Playgrounds as radical propositions, the problem with Okja, and debating ‘the dirtbag left’: what to read this weekend

News - 21 Jul 2017

Briefing

More vandalism at Skulptur Projekte Münster; Centre Pompidou to open a satellite space in Shanghai; Off Vendome and Breese Little close

Review - 21 Jul 2017

Louise Lawler

The Museum of Modern Art, New York, USA

By Andrew Durbin
Romare Bearden, Pittsburgh Memory, 1964, mixed media collage and graphite on board, 22 x 30 cm. Courtesy: © Romare Bearden Foundation / DACS, London / VAGA, New York 2017

Opinion - 21 Jul 2017

‘Soul of a Nation: Art in the Age of Black Power’

Successfully layering a broader socio-historical narrative onto a period of radical non-conformity, this is an important show, now

By Osei Bonsu

Opinion - 20 Jul 2017

The Point is to Change It

Trump’s trashing of the Paris Climate Accord makes it clear: we can't be satisfied with art about the political, art must change it

By Mel Evans

Interview - 20 Jul 2017

Questionnaire: Glenn Ligon

Q: What do you like the look of? A: Someone who knows who they are

By Glenn Ligon

City Report - 20 Jul 2017

Les Rencontres d'Arles 2017

With a strong surrealist strain, and including a welcome number of female artists, highlights from the 48th edition of the photography festival

By Ela Bittencourt

Review - 19 Jul 2017

Manchester International Festival 2017

Various venues, Manchester, UK

By Chris Sharratt

Critic's Guide - 18 Jul 2017

Critic's Guide: London

A guide to the best of the summer shows

By Orit Gat

News - 18 Jul 2017

Briefing

Agnes Gund awards USD$500,000 to New York’s Parrish Art Museum; Istanbul’s Rampa gallery closes; Gwangju Biennale announces new president

Most Read

Opinion

Quilting Points
The Baltic Centre for Contemporary Art inaugurates its biennial artists’ award with a show marked by the idea of...

News

Briefing
More vandalism at Skulptur Projekte Münster; Centre Pompidou to open a satellite space in Shanghai; Off Vendome and...

Review

Louise Lawler
The Museum of Modern Art, New York, USA
Romare Bearden, Pittsburgh Memory, 1964, mixed media collage and graphite on board, 22 x 30 cm. Courtesy: © Romare Bearden Foundation / DACS, London / VAGA, New York 2017

Opinion

‘Soul of a Nation: Art in the Age of Black Power’
Successfully layering a broader socio-historical narrative onto a period of radical non-conformity, this is an...

Opinion

The Point is to Change It
Trump’s trashing of the Paris Climate Accord makes it clear: we can't be satisfied with art about the political, art...

Interview

Questionnaire: Glenn Ligon
Q: What do you like the look of? A: Someone who knows who they are

City Report

Les Rencontres d'Arles 2017
With a strong surrealist strain, and including a welcome number of female artists, highlights from the 48th edition of...

Critic's Guide

Critic's Guide: London
A guide to the best of the summer shows

News

Briefing
Agnes Gund awards USD$500,000 to New York’s Parrish Art Museum; Istanbul’s Rampa gallery closes; Gwangju Biennale...

Opinion

Other Minds
With our increasingly porous objects, ubiquitous networks and ambivalent organisms, why artists are drawing inspiration...

Critic's Guide

Critic’s Guide: Taipei
From contemporary ink to counter-cultural histories, what to see across the Taiwanese capital

News

Briefing
Nicholas Serota calls for freedom of movement to be protected after Brexit; Franco ‘Bifo’ Berardi resigns from DiEM25;...

Profile

France’s New Culture Minister
Who is Françoise Nyssen?

City Report

Postcard from Barcelona
Protests against housing inequality, tourism and a colonialist past have been roiling across the Catalan capital

Video

Design Matters - 20 Jul 2017

Function: Barber & Osgerby

In the second of a new six-part film series, Design Matters, Barber & Osgerby talk about how function informs their designs

19 Jul 2017

BMW Open Work

Premiering during Frieze London in October, BMW Open Work is a joint creative endeavour with Frieze. The two brands will be bringing together art and technology in pioneering multi-platform formats 

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