Editorial

Mat Collishaw Thresholds at Somerset House 2017. Courtesy Graham Carlow

Mat Collishaw’s virtual-reality tribute to photo pioneer William Henry Fox Talbot suggests what VR can learn from early photography’s reception

Latest Articles

Raven Row, London, UK

Two Baltic cities with compact, open-minded and active art scenes

Stanley Brouwn has died, aged 81; a new triennial of contemporary art for Uptown Manhattan

Rhona Hoffman Gallery, Chicago, USA

Downs & Ross, New York, USA

WIELS, Brussels, Belgium

At home in the gallery

From why its good to repeat jokes to how to keep it impersonal: what to read about this weekend

Dana Lixenberg wins the 2017 Deutsche Börse Photography Prize; David Adjaye received a Knighthood

Q: What do you wish you knew? A: All that I don’t, of course!

Massimo De Carlo, Milan, Italy

Ahead of the third Antwerp Art Weekend, a guide to the best shows across the city

On copying, repeating, quoting and joking, Sturtevant & The Salon Pour Rire

On Alan Clarke’s Rita, Sue and Bob Too, the death of Ian Brady, and what laughter might conceal

Celebrating its 70th anniversary, a preview of some of the highlights of this year’s festival which opens today

Burrard Arts Foundation, Vancouver, Canada

Most Read

At home in the gallery
Dana Lixenberg wins the 2017 Deutsche Börse Photography Prize; David Adjaye received a Knighthood
Q: What do you wish you knew? A: All that I don’t, of course!
Ahead of the third Antwerp Art Weekend, a guide to the best shows across the city
On Alan Clarke’s Rita, Sue and Bob Too, the death of Ian Brady, and what laughter might conceal
Celebrating its 70th anniversary, a preview of some of the highlights of this year’s festival which opens today
Ahead of Paris Gallery Weekend, a round-up of the best shows to see in the French capital
A stroll through the off-site shows
Anne Imhof and Franz Erhard Walther win Golden Lions; the Louvre Abu Dhabi to finally open
Tate Britain, London, UK
Werken, 2017, Chilean pavilion, Arsenale, 57th Venice Biennale. Courtesy: La Biennale di Venezia; photograph: Italo Rondinella
Highlights of the National Pavilions in the Arsenale
The best of the National Pavilions across the city and the Fondazione Prada’s intricate, collaborative exhibition
A first look at ‘Viva Arte Viva’ at the Arsenale
First impressions of Christine Macel’s ‘Viva Arte Viva’ in the Central Pavilion
Phyllida Barlow, folly, 2017, installation view, commissioned by the British Council for the British Pavilion at the 57th International Art Exhibition, La Biennale di Venezia. Courtesy: the artist, Hauser & Wirth, Zurich, London and New York, and © British Council, London; photograph: Ruth Clark
Tanya Harrod on the art of Phyllida Barlow, who is representing Britain at the 57th Venice Biennale 
A response to some of the responses
With the sad news of the death of Stanley Brouwn, aged 81, revisiting this feature on the elusive artist, first...

Video

Playlist - 22 May 2017

LuYang’s ‘Uterus Man’, Angelo Badalamenti’s score for ’Twin Peaks’; role-playing video game 

Playlist - 15 May 2017

Talking sea otter; a physicist’s theory of cancer; satirical sci-fi animation

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