Editorial

A crop of Hollywood ‘grifter’ films reflect growing pessimism about the state of capitalism 

By Lewis Gordon

Latest Articles

It’s a refusal to learn anything about a culture that could be obliterated

By Benjamin Ramm

At the Blaffer Art Museum, Houston, the artist screens the lost films of a Hollywood huckster, a reminder that the media industry runs on broken dreams

By William Harris

Celebrating the filmmaker and DJ Jeffrey Hinton, a friend to generations of artists, designers and club-goers

By Sean Burns

At Parker Gallery, Los Angeles, the 80-year-old ‘professor emeritus’ presents new works as dazzling and personal as ever

By ​Juliana Halpert

From his dreams of Glasgow to nocturnal self-portraits, there was an edge to the writer and artist: a deep well of strangeness

By Darran Anderson

The artist’s exhibition at Marian Goodman Gallery, London, seems to mirror the evanescent nature of experience

By Sean Burns

A recent exhibition at Jenny’s from one of Los Angeles’s most elusive artists

By Gracie Hadland

At the Hirshhorn Museum in Washington, DC, Steir synthesizes two dominant modes of American painting: abstract expressionism and minimalism

By Dereck Stafford Mangus

Iqra Tanveer’s quiet show at Grey Noise, Dubai, is full of puzzles and meditations

By Skye Arundhati Thomas

In the 2010s, cinema grappled with the most tangible effects of the climate crisis 

By Lewis Gordon

In our first issue of the new decade, we look back on some of the best (and worst) of the last ten years and find a few reasons to be excited for 2020

By Amy Sherlock

What we were looking at (and what we missed) in the Jan/Feb 2010 issue of frieze

By Jennifer Higgie

As Blake’s most comprehensive retrospective to date closes at the ICA, Los Angeles, Shiv Kotecha examines the artist’s three-decade practice, which revels in the infinite variations of identity and

By Shiv Kotecha

In collaborations with her community and family, Halsey leans towards the funky, the funny and the queer

By Jonathan Griffin

Some suggestions for the International Council of Museums

By Tom Morton

A public installation in London’s Bermondsey suggests that the linguistic landscape is deteriorating along with the ecological one

By Paul Carey-Kent

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25-year old designer Reece Yeboah on the ‘crazy journey’ of his label, Saint London

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