Editorial

The first, long-overdue European survey of work by the East Coast painter opens at Modern Art, London 

By Nicholas Hatfull

Latest Articles

‘I was sad to resign; sad to believe that it was the most useful thing I could do,’ wrote Ahdaf Soueif

By Frieze News Desk

The mural depicts a dystopian Tokyo hosting the 2020 Olympics

By Philip Brophy

A timely documentary about the backslide into dictatorship reveals some uncomfortable home truths in the US

By Jack McGrath

An exhibition at Platform Southwark, London, celebrates the legacy of the radical drag theatre company

By Sean Burns

Amid a carnival atmosphere, Eliasson elicits an emotional reaction to the urgent issues of the day

By Figgy Guyver

In Soskolne’s first show in nearly two decades, at New York’s Mishkin Gallery, the artist-activist takes on male networks and The Real Housewives of New York City

By Pujan Karambeigi

The artist’s tent city at Hauser & Wirth, in rapidly gentrifying downtown LA, is a ‘parody of pious politically activist art’ 

By Jonathan Griffin

In further news: British Museum director defends BP sponsorship; David Zwirner to open in Paris

By Frieze News Desk

At the Storefront for Art and Architecture, a pop-up Puerto Rican museum employs culture as a means of resistance

By Carina del Valle Schorske

In the French artist’s evocative exhibition at Marcelle Alix, Paris, blind spots transform into vantage points

By Yelena Moskovich

In My Mother Laughs, Akerman’s pain while watching her mother’s health worsen becomes entwined with the shock of heartbreak

By Steven Zultanski

From Miss Havisham’s wedding dress to Hans Christian Andersen’s ‘The Red Shoes’, why we’re so obsessed with murderous clothes

By Amber Butchart
Lunch served at the Tate Terrace Bar, 2019. Courtesy: Studio Olafur Eliasson and Tate Eats; photograph: Alcuin Stevenson / Studio Olafur Eliasson

The Danish-Icelandic artist has created an environmentally-conscious menu for Tate Modern’s Terrace Bar

By Figgy Guyver

‘We receive very generous support from the Sackler family and we’re grateful for that,’ he told BBC Radio Four

By Frieze News Desk

The distressing images depict unhappy stick figures in cages

By Frieze News Desk

In further news: British Museum to help return looted Buddhist heads from Afghanistan; Pace closes Beijing outpost

By Frieze News Desk

Video

Sponsored Content - 10 Jul 2019

‘I see something I recognize somehow, and I make a picture’

Frieze Academy - 02 Jul 2019

Take a closer look at what a Frieze Academy Workshop involves, with highlights and insights from attendees and speakers of our ‘How to… Curate an Exhibition’ Workshop.

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Janiva Ellis, Catchphrase Coping Mechanism, 2019, oil on linen, 2.2 x 1.8 m. Courtesy: the artist and 47 Canal, New York; photograph: Joerg Lohse

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