frieze d/e

Issue 24

Summer 2016

The latest issue of frieze d/e is out now with an essay by Ana Teixeira Pinto on the digitalization of domestic space and an interview with award-winning theatre director Milo Rau; plus, features on Ull Hohn, Heidi Specker, Clemens von Wedemeyer and the German Pavilion at the Venice Architecture Biennale 2016.

Also featuring: Hans-Jürgen Hafner encounters conceptual cool and sensuality in the works of late painter Ull Hohn; Bert Rebhandl examines battles between points of view in the films and installations of Clemens von Wedemeyer; Kito Nedo takes a closer look at photographer Heidi Specker's very own take on portraiture; and frieze d/e editor Dominikus Müller talks to award-winning theater director Milo Rau about responsibility, empathy and "meta-slavery."

Was die Digitalisierung mit unserem Zuhause und unserer Idee des Zusammenlebens macht

By Ana Teixeira Pinto

Clemens von Wedemeyer und die Veränderungen des kinomatografischen Blicks

By Bert Rebhandl

Villa Stuck, München / Kunstmuseum Stuttgart

By Bert Rebhandl
Michaela Melián, Electric Ladyland, 2016 (Ausschnitt). Courtesy Artist, VG-Bildkunst Bonn 2016. 

Lenbachhaus, München

By Hanne Loreck

Der Deutsche Pavillon auf der diesjährigen Architekturbiennale in Venedig und das Bauen für Flüchtlinge

By Niklas Maak

ZKM, Karlsruhe

By Noemi Smolik

Wählen Sie einen Gegenstand aus Ihrem Lebens- oder Arbeitsumfeld, der für Sie von besonderer Bedeutung ist

By Sven Väth

Arratia Beer, Berlin

By Thomas Bettridge

Duve, Berlin

By Hannah Schraven

Meyer Kainer, Wien

By Michael Franz

Kunsthalle Zürich

By Karen Archey

Kunsthalle Bern

By Moritz Scheper