frieze d/e

Issue 24

Summer 2016

The latest issue of frieze d/e is out now with an essay by Ana Teixeira Pinto on the digitalization of domestic space and an interview with award-winning theatre director Milo Rau; plus, features on Ull Hohn, Heidi Specker, Clemens von Wedemeyer and the German Pavilion at the Venice Architecture Biennale 2016.

Also featuring: Hans-Jürgen Hafner encounters conceptual cool and sensuality in the works of late painter Ull Hohn; Bert Rebhandl examines battles between points of view in the films and installations of Clemens von Wedemeyer; Kito Nedo takes a closer look at photographer Heidi Specker's very own take on portraiture; and frieze d/e editor Dominikus Müller talks to award-winning theater director Milo Rau about responsibility, empathy and "meta-slavery."

Heidi Specker und ihr Begriff von Porträtfotografie

By Kito Nedo

Ein Rückblick auf Hamburg's Akademie Isotrop. Mit Hans-Christian Dany, Abel Auer und Birgit Megerle 

By Nick Currie

ZKM, Karlsruhe

By Noemi Smolik

Wählen Sie einen Gegenstand aus Ihrem Lebens- oder Arbeitsumfeld, der für Sie von besonderer Bedeutung ist

By Sven Väth

Arratia Beer, Berlin

By Thomas Bettridge

Duve, Berlin

By Hannah Schraven

Meyer Kainer, Wien

By Michael Franz

Kunsthalle Zürich

By Karen Archey

Kunsthalle Bern

By Moritz Scheper

Die Filme von Daniel Hoesl und der European Film Conspiracy 

By Esther Buss

Eden Eden, Berlin, Germany

By Pablo Larios
Stanisław Fijałkowski, Gagrwmnn, 1971, acrylic on canvas, 73 x 60 cm

Galerie Isabella Czarnowska, Berlin, Germany

By Mark Sadler