Fondation Beyeler & Schirn Kunsthalle & Liebieghaus

Tate Modern

Is the space of painting made by abstraction, illusion or the sculptural qualities of the canvas?

Galerie Melike Bilir

On the occasion of his retrospective at Kunstmuseum Wolfsburg, Frank Stella talks about illusionism, abstract expressionism and the inevitable mechanics of gesture in painting

Kerstin Engholm Galerie

Monika Baer talks about her approach to painting’s surfaces, which teeter between anti-illusionism and illusionism, tactile and optical qualities, real holes and key holes

Galerie Kamm

Phil Collins embraces mass media and popular culture, only to unsettle the stereotypes they produce

raumsichten

Seiichi Furuya captured a person and a country destined to disappear. While reorganizing his archive, the photographer discovered a new set of timeless subjects

Musée D’art Moderne et Contemporain

Latifa Echakhch uses destruction and displacement to turn everyday objects into abstractions

Figge von Rosen Galerie

Halle 14

PSM Gallery

Künstlerhaus

On Abstraction and Destruction

Galerie Gregor Staiger

Is the art world too exclusive?

Haus der Kulturen Welt

Jörg Heiser speaks with Eduard Pomeranz about exhibiting his collection at Vienna’s Jewish Museum

Galerie Schöttle

The future of Zurich’s Löwenbrau Complex – with its mix of public institutions and commercial galleries – is finally secure after two years of redevelopment at the site

Gesellschaft für Aktuelle Kunst

The rise of a queer hip hop genre: New Orleans Sissy Bounce

Taxispalais

Galerie Meyer Kainer

Philip Scheffner’s work stands for a new wave of German political documentary. His latest film Revision restores the history of two refugees who died under mysterious circimstances

Langen Foundation

In the face of extinction and genetic manipulation, is it time to change the way we classify living organisms?

Work, Paint, Ask Questions

Eavesdropping, Sticking and Falling Down

Military strategies, insults and Arts & Crafts

Galerie Czarnowska

Remembering Franz West

documenta 13 – Reviews

documenta 13 – Review

Judith Hopf chooses a single object of special significance

Anselm Reyle on his collaboration with Franz West on their exhibition Stolen Fantasy which took place last spring at the Schinkel Pavillon

in Berlin