Profiles

For 35 years, Ericka Beckman has been making films which combine choreographed set pieces and ‘designed camera movements’ that anticipate the work of a new generation of artists

The self-proclaimed ‘purveyors of sinister whimsy to the wretched’ are admirable, not only for a staggering level of productivity, but for being so reliably unpredictable

Annette Leddy explores how the late Fluxus member Robert Watts sought to bring the universe into the home

Exhibiting comics: the graphic novels of Daniel Clowes and his contemporaries

A new book illuminates Louise Bourgeois' relationship to psychoanalysis

Accompanying his essay in frieze d/e, issue 6, Mark Prince selects his top 10 texts (and film) about painting.

Since the early 1960s, Peter Watkins has explored film’s potential as a medium of communication and catharsis 

The Aztec imagery and digital soundworld of Mexican producer Javier Estrada

Three new publications on socially engaged art by Claire Bishop, Creative Time and Pablo Helguera

Jörg Heiser speaks with Eduard Pomeranz about exhibiting his collection at Vienna’s Jewish Museum

The future of Zurich’s Löwenbrau Complex – with its mix of public institutions and commercial galleries – is finally secure after two years of redevelopment at the site

The rise of a queer hip hop genre: New Orleans Sissy Bounce

Philip Scheffner’s work stands for a new wave of German political documentary. His latest film Revision restores the history of two refugees who died under mysterious circimstances

Remembering Franz West

In new interviews, Conny Plank’s collaborators – including Brian Eno and Holger Czukay – remember the radical music producer.

CERN seeks collisions with art. On the potential for a philosophical alliance

The long history of a little gadget: MP3

This audio file by Michael Riedel accompanies his artist pages in the current issue of frieze d/e

LaToya Ruby Frazier’s specially commissioned project for frieze.

Skating on a turn-of-the-century ramp made by the late Michel Majerus