FAEF

In this series, frieze d/e looks at the logistics behind art works. Here, Michael Sailstorfer explains how he ‘reversed nature’ for Emscherkunst.2013

The quasi-documentaries of Viennese filmmakers Tizza Covi and Rainer Frimmel

Why have art collaborations become so annoying?

Artist Tobias Madison presents his selection of favourite publications

With the 50th anniversary of the DAAD’s Artists-in-Berlin Programme this year, a visit to its most legendary artists’ apartment

Helga Wretman’s Fitness for Artists TV revives the surprisingly long history of art and exercise

Ulf Poschardt’s love letter to the Porsche 911

For this regular series in frieze d/e, Berlin-based organist Cameron Carpenter discusses his affinities to glam

On the occasion of her forthcoming retrospective at New York’s Museum of Modern Art, Dominic Eichler unravels Isa Genzken’s work and persona

Artist Karin Sander and social scientist Harald Welzer have known each other since Welzer exhibited Sander’s works as a gallerist in Hanover in the 1990s. In his most recent book Selbst denken. Eine Anleitung zum Widerstand (Thinking for Ourselves: a Manual for Resistance, 2013), Welzer calls for a move away from the ideology of economic growth, in light of world­­‑wide economic crises, calling instead for intelligent concepts for a ‘culture of reduction’. Intelligent reduction is exactly what Sander’s art engages with time and again. This conversation between Sander and Welzer, moderated by Jörg Heiser, includes a conceptual intervention by Sander.

While teaching at the Bauhaus, Wassily Kandinsky deepened his theory of art as a visual rhetoric conveying specific emotions – ideas that would later influence the design of prison cells in Spain

Gallerist, collector, curator and director René Block talks to artist Maria Eichhorn about ambition in art, the unexplored diversity of Fluxus and the importance of music in a career spanning 50 years

The show of showing

Picture a hat…

In her collages, photographs, artist books and paintings, Özlem Altin explores the body at rest and the inanimate in action

Filling in the Blanks

Choreographer William Forsythe speaks to Astrid Kaminski about ‘wrong’ kinds of comedy, philosophy in dance and brief bouts of weightlessness

Choose a single object of special significance from your working or living environment

55. Biennale di Venezia

55. Biennale di Venezia

Kunsthalle Bern

Schirn Kunsthalle

Generali Foundation

Gabriele Senn Galerie

Galerie Karin Guenther

The Museum of Contemporary Art

Kunst-Werke – Institute for Contemporary Art

Museum für Gegenwartskunst

Gesellschaft für aktuelle Kunst

Ursula Blickle Stiftung

How are historic exhibitions re-exhibited?

Bonner Kunstverein

Kunstverein München

BolteLang

Drei

Klemm’s

Künstlerhaus Halle für Kunst & Medien (KM–)

Galerie Sabine Knust

Fondation Speerstra & Karma International

Kunsthalle Düsseldorf

Grimmuseum