Casting light on the hidden narratives of power: the films of Jan Peter Hammer

Various venues

Images for a different future: recent projects examine the projected desires of the German Democratic Republic’s lost socialist culture

Source, archive, evidence

Neue Nationalgalerie

Hauser & Wirth

Peter Piller picked a peck of prickly pictures

Kunstverein München

A lament for the work of art in the age of digital circulation

Barbara Seiler

Kolja Reichert remembers the late photographer Michael Schmidt and his pictures of a Berlin that most others overlooked

Forty and Forty… with Manfred Pernice and Klara Lidén

Feeling fashion

Kraupa-Tuskany Zeidler

Design, deception, sexuality

Taylor Macklin

Ellen Gronemeyer’s paintings gauge the distance between seeing and being seen

Choose a single object of special significance from your working or living environment

KW Institute for Contemporary Art

Museum der Moderne

xippas art contemporain

Calling capital’s bluff

Museum Ludwig

One hundred years of the Leica camera

Why Cosima von Bonin installed a vomiting sculpture on the facade of mumok in Vienna

Centre d’Art Contemporain

A visit to the Wende Museum in LA, the unlikely home to artefacts from the former Eastern Bloc

Isabella Bortolozzi Galerie

Living and thinking in Berlin: two recent films by Max Linz and Stephan Geene

Kunsthaus Graz

Berlin-based singer-songwriter Dan Bodan shares the things he likes to keep close

Heidelberger Kunstverein

Stefan Goldmann asks how Berlin-made music software has affected global club sounds

Séamus Kealy, the director of the Salzburger Kunstverein, examined to what extent the concept of the punctum is still viable

Viennese author Stefanie Sargnagel talks about her idol, the caricaturist Manfred Deix

Kunstverein Hannover

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