Issue 8
Feb - Mar 2013

Issue 8 of frieze d/e turns its focus to the Rhineland with a roundtable featuring Renate Goldmann, Hannes Loichinger, Marcel Odenbach, Susanne Titz and Gregory H. Williams who discuss the myths and realities of the Cologne art scene in the early 1990s and the effects of its enduring legacy in places as far afield as Berlin and New York.

Thomas Schütte speaks with Ulrich Loock about four decades of art making and the place of public monuments in his disparate practice.

Timotheus Vermeulen reports from Dusseldorf on the growing interest in a generation of artists graduating from the academy and a city emerging from the shadow of its glory days of the 1970s and ’80s.

Tom Morton examines the feints, swerves and coded allusions in the work of Michael Krebber, with the first major retrospective of his work at CAPC Bordeaux.

From this issue

Kunstverein für die Rheinlande und Westfalen

BY Pablo Larios |

Kunsthalle Zürich

BY Jörg Scheller |

Capitain Petzel

BY Astrid Mania |

Kunsthalle Krems

BY Vitus Weh |

Marc Jancou Contemporary

BY Alexis Jakubowicz |

Discussing the myths and realities of the Cologne art scene – a roundtable with Renate Goldmann, Hannes Loichinger, Marcel Odenbach, Susanne Titz and Gregory H. Williams. With photographs by Wilhelm Schürmann and Andrea Stappert

BY frieze d/e |

Bielefelder Kunstverein

BY Eva Scharrer |

What was so special about Cologne’s art scene in the ’90s?

BY Dominikus Müller |

Bawag Contemporary

BY Jörg Heiser |

Alexandra Bircken uses found objects and lost materials to create wildly associative and unruly sculptures

BY Paul Teasdale |

In this series, frieze d/e asks artists to discuss the technical and logistical background to their works

BY Olaf Holzapfel |

Tom Morton examines the feints and swerves, coded allusions and insider intimacies in almost three decades of work by Michael Krebber

BY Tom Morton |

How a museum in Cologne is trying to improve relations between the Church and art

BY Jan Kedves |

The glamour days of the 1970s and ’80s Dusseldorf art scene are long since over. More than a generation on, the city seems ready for a little renaissance

BY Timotheus Vermeulen |

Kunstbibliothek – Staatliche Museen zu Berlin

BY Jennifer Allen |

Eat a sausage, chop down trees, saw off hair: Thomas Schütte talks to Ulrich Loock about four decades of art making and the Rhineland

BY Ulrich Loock |

Techno romance: Pantha du Prince and The Bell Laboratory

BY Thomas Hübener |

Does exhibiting YouTube clips automatically turn them into art works? Kolja Reichert takes a look

BY Kolja Reichert |

Ulrich Seidl’s Paradies trilogy brings the moving image to a standstill

BY Bert Rebhandl |

Neues Museum Weimar

BY Kito Nedo |

Prints, paper, scissors

BY Christy Lange |

The artist’s found industrial materials serve as material supporters of meaning

BY Wes Hill |

In this regular series, frieze d/e picks out favourites from the ebb and flow of culture

BY frieze d/e |

Living, working and going on strike

In this series, frieze d/e asks artists, curators and writers to think about the meaning and impact of a word

BY Lothar Hempel |

Katharina Grosse pushes painting towards architecture and the way we navigate spaces

BY Kirsty Bell |

In this series, frieze d/e asks artists, curators and writers to think about the meaning and impact of a word

BY Mathilde Rosier |

Galerie Thomas Flor

A visit to Jeanne Mammen’s studio and home in Berlin which has been turned into a museum

BY Pablo Larios |

Württembergischer Kunstverein

BY Elena Zanichelli |

Choose a single object of special significance from your working environment

BY Elfie Semotan |

Haus Konstruktiv

Deichtorhallen

BY Jens Asthoff |

Kraupa-Tuskany Zeidler

BY Sara Stern |