Martine Syms

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Other highlights include Martine Syms’s art-school satire and a nostalgic glance back at the indomitable Tina Turner

BY Terence Trouillot |

The artists discuss the systems and ideologies underpinning media and the ways images are distributed today

For a new series of columns on armchair travelling, editor at large Jennifer Higgie travels the myriad digital alleys of the French capital

BY Jennifer Higgie |

 ‘Aretha loved to record people. I can tell because I love to record people’

BY Martine Syms |

With over 100 works, ‘Straying from the Line’ brings together superb work under the rubric of anti-essentialism

BY Mitch Speed |

Curated by Charlie Porter, ‘Palimpsest’ turns the attention back on the history of the neo-gothic estate

BY Mimi Chu |

MATCHESFASHION.COM invite Liz Goldwyn, Miranda July, Dr. Woo and more to 5 Carlos Place

‘You invite us to forge a ‘we’ with you and your images, to empathize, nodding snorts of identification brimming with tears’

BY Mimi Chu |

With galleries reopening after the summer break, a guide to the best of the new season shows in the capital

BY Chris Fite-Wassilak |

In the artists’ film strand, Margaret Salmon, Basma Alsharif and Martine Syms showed a strong emphasis on people, place and storytelling

BY Chris Sharratt |

Two films and a dance piece focus on our shifting postures in light of connective technology

BY Isobel Harbison |

Renée Green, Import/Export Funk Office, 1992

BY Martine Syms |

SUPERFLEX to tackle Tate Modern's Turbine Hall; Trump targets arts and humanities endowments; LD50 closes its doors following protests

Rosanna McLaughlin presents her highlights from the second edition of Condo

BY Rosanna McLaughlin |

A year of protest, power and people, from L.A. Kauffman to Kerry James Marshall

BY Jennifer Kabat |

Musician Pauline Oliveros passes away; Heather Phillipson wins the Jarman award; MCA Chicago announces renovation plans

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

Hammer Museum, Los Angeles, USA

BY Jonathan Griffin |

A Twitter academic, a science fiction writer and a Wells Fargo debit card: Martine Syms shares some images that are important to her

BY Martine Syms |

Language, gesture and black identity

BY Laura McLean-Ferris |