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Ana Teixeira Pinto

Main image: Rox Lee, Juan Gapang (Johny Crawl), Untitled, 1987, from the exhibition ‘Misfits’ at HKW. Courtesy: the artist and HKW, Berlin

As museums around the world seek to make their collections and displays more inclusive of non-Western art, how are German institutions responding?

By Ana Teixeira Pinto

daadgalerie, Berlin, Germany

By Ana Teixeira Pinto

Nativism and the backlash against contemporary art: AfD, Pegida and a recent protest in Dresden

By Ana Teixeira Pinto

Kunsthalle Bremen, Germany

By Ana Teixeira Pinto
Anna Ostoya, A Kiss, 2016, oil on canvas, 61 x 76 cm. Courtesy: the artist and Silberkuppe, Berlin; photograph: Timo Ohler

The best shows opening as part Berlin Art Week

By Ana Teixeira Pinto
'The Humanizer', 2016, installation view, Irish Museum of Modern Art, Dublin. Courtesy: the artist and Irish Museum of Modern Art, Dublin

Anna Teixeira Pinto speaks with Simon Fujiwara about the promise of happiness in a world gone awry

By Ana Teixeira Pinto

On art, architecture, and domestic effects of digitalization

By Ana Teixeira Pinto

A roundup of the 12th Gallery Weekend Berlin

By Ana Teixeira Pinto

A round-up of the best shows in the German capital

By Ana Teixeira Pinto

Galerie Nagel Draxler, Berlin, Germany

By Ana Teixeira Pinto