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Anicka Yi

In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose

By Mike Pepi
Anicka Yi, ‘We Have Never Been Individual’, 2019, installation view, Gladstone Gallery, Brussels. Courtesy: the artist and Gladstone Gallery, Brussels

Brussels

23 Apr
15 Jun

‘Every two minutes, people upload more images to the internet than existed in total just 150 years ago’

By Orit Gat

‘I could be the President of the United States, and still half the people in the room would question my authority’

By Anicka Yi

New York

27 Oct
6 Jan

What Luc Besson’s Valerian and a number of recent artists’ 3D films are getting right about our current reality

By Saul Anton

At a time of instantaneous information and fetishized immersivity, artists are evoking scent as an alchemical, bodily response

By Thomas McMullan

Anicka Yi's work fuses biology with technology, finding new ways to talk about gender, race and economics. With an introduction to the work by Dan Fox and a short story by Joanna Ruocco

By Joanna Ruocco and Dan Fox

Two recent conferences at MIT and the New Museum reveal the benefits, and pratfalls, of art and science collaborations

By Evan Moffitt
Gagosian Gallery at Frieze New York 2017. Courtesy: Mark Blower/Frieze

The first day of the weekend is the second public day of Frieze New York 2017. Plan your day around the city and the fair

Whitney Museum of American Art, New York, USA

By Dan Fox

Yayoi Kusama to be immortalized in wax; Anicka Yi awarded the 2016 Hugo Boss Prize; Edinburgh's Inverleith House to close