Art History

Showing results 61-80 of 92

In the 500 years since Bosch's death, his art has lost none of its power to reflect the complexities of our lives

BY Fernanda Eberstadt |

The enduring popularity of the minor European god Bes

BY Alastair Sooke |

The great art historian Aby Warburg was born 150 years ago. John-Paul Stonard visits his famous library in Hamburg

BY John-Paul Stonard |

Art history isn't carved in stone

BY Jennifer Higgie |

A new biopic on the late Indian modernist, F.N. Souza

BY Shanay Jhaveri |

Radical minimalism from India and Pakistan

BY Shanay Jhaveri |

Mining the traditions of the political cartoon

BY Shanay Jhaveri |

How the iconic, discontinued Ambassador car has inspired Indian artists

BY Shanay Jhaveri |

The curator of the Prado Museum's 'El Greco and Modern Painting' exhibition on the artist's enduring influence

BY Lorena Muñoz-Alonso |

What the story of El Greco tells us about how art history is made

BY Jennifer Higgie |

Radical collage and cut-outs in India

BY Shanay Jhaveri |

Lady adventurers and the legacies of colonial history

BY Kaelen Wilson-Goldie |

Rashid Johnson talks to Tom Morton about fiction, humour and homage

BY Tom Morton |

‘Sarkari Shorts’ and the Films Division of India

BY Shanay Jhaveri |

The restoration of Donald Judd’s SoHo loft

BY Robert Storr |

Alessio delli Castelli considers Italian sculptor Medardo Rosso’s photographic legacy

BY Alessio delli Castelli |

Held across eight Italian galleries and museums, ‘Arte Povera 2011’ fails the original spirit of the art movement created by Germano Celant

BY Francesco Bonami |

To coincide with its major relocation to a new site in King’s Cross, artist and teacher Malcolm Le Grice traces the history of Central Saint Martins, from the mid-19th-century to today. This is the first in an occasional series of essays on art schools around the world

BY Malcolm Le Grice |

Since the 1970s Barbara Bloom has used photography, installation, film and books as a means of looking at issues of collecting, museology, design, taste and our investment in the objects with which we surround ourselves. In this project for frieze, created together with writer Susan Tallman, Bloom – who is referred to throughout as ‘BB’ – presents selections from her 2008 installation and book The Collections of Barbara Bloom, a work about ‘the way things carry ideas’

BY Susan Tallman |