Barbara Kruger

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As the fair returns to Santa Monica in 2025, take a look back at standout works, performances and initiatives from its first five editions

BY Chris Waywell |

Art from California and the West Coast is everywhere at Frieze Los Angeles 2024, from LA icons Betye Saar and John Baldessari, to emerging artist Ser Serpas

Amid various exhibitions, CONDO returns to the capital after a four-year hiatus to promote international collaboration between galleries

BY frieze |

Explore this year’s best art and gallery booths in The Regent's Park, from modern icons to emerging talent

The curator talks about her approach to the 59th International Art Exhibition and restoring energy to the Venice Biennale

BY Matthew McLean AND Cecilia Alemani |

The writer’s new collection of essays repositions Indiana as a prescient analyst of US art and politics

BY Daniel Felsenthal |

To mark Kruger’s retrospective at the Los Angeles County Museum of Art, artist Math Bass reflects on their former professor

BY Math Bass AND Chloe Stead |

An ‘anti-retrospective’ repositions the artist’s work as a meme-presaging détournement of late capitalism’s spectacular logic

BY Jessica Baran |

A Q&A with Maya Emsden about Metro Art's public program and Barbara Kruger's installation at Union Station in LA 

Untitled (Questions) is a public art commission by Barbara Kruger spearheading Frieze Week LA

We talk to Maya Emsden about Barbara Kruger's public project at Union Station, co-presented by Frieze Los Angeles and Metro Art

A rare, newly-published interview with the late October editor, reveals an art critic intent on changing the terms of the debate

BY Aaron Peck |

For Performa 17, Barbara Kruger prods New York not to be a jerk

BY Thora Siemsen |

Q. What do you wish you knew? A. How to answer questions in a complex, honest and clever way.

BY Barbara Kruger |

Remembering 9/11: how exhibitions in New York and Berlin commemorated the tenth anniversary of the attacks

BY Christy Lange |

The intertwining of art and commercial photography is nowhere more evident than in the genre of still life

BY David Campany |

An interview with Simon Watney

BY Stuart Morgan |