The first in a new five part series: the frieze editors select the most significant shows from the past 25 years

View of Museum Island showing, from left to right: Berlin Cathedral, Humboldt-Box and the Berlin Palace Humboldt Forum, April 2016. Photograph: Oliver Dignal

The curators of the 9th Berlin Biennale, DIS, talk about getting to know the German capital

Architect’s rendering of Louvre Abu Dhabi, United Arab Emirates, under construction. Courtesy: Ateliers Jean Nouvel, Artefactory, TDIC and Louvre Abu Dhabi

Sam Thorne invites ten curators to reveal how they envision the museum 25 years from now

By Sam Thorne
Marvin Gaye Chetwynd, Hermito’s Children 2, 2014, production still. Courtesy: the artist, Nottingham Contemporary, Nottingham, Sadie Coles HQ, London, Studio Voltaire, London, and Massimo de Carlo, Milan and London

Galleries throughout the UK turn to crowdfunding

'69/96', installation view, Alte Fabrik, Rapperswil

For the first exhibition in a programme curated by Fredi Fischli and Nils Olsen, the duo look back to 1969 and 1996, formative years for both curators

By Aoife Rosenmeyer
Adi Davierwalla, Many Headed Hydra, 1962. Courtesy: Zarine Davierwalla.

New approaches to exhibition-making in India

By Shanay Jhaveri
Page from Hans Ulrich Obrist,  Think Like Clouds, 2013. Courtesy: Badlands Unlimited

How budgets shape exhibitions

By Eleanor Nairne

A new book by Bruce Altshuler explores the history of postwar exhibitions

By Sam Thorne

A conversation about the legacy of 1913, a defining year in exhibition-making

Massimiliano Gioni holding an art work by Gianfranco Baruchello,  2010. Courtesy: Fondazione Nicola Trussardi, Milan; photograph: Marco De Scalzi.

Massimiliano Gioni discusses his plans for the 55th Venice Biennale, ‘The Encyclopaedic Palace’

By Barbara Casavecchia

Artist Matthieu Laurette, critic Vivian Sky Rehberg and the prolific curator, collector and dealer Seth Siegelaub, who died in 2013 aged 71, discuss the legacy of Conceptual art

By Vivian Sky Rehberg

Three new publications about globalization and contemporary curating

By Sam Thorne