Dance

The Golden Lion-winning choreographer on continuing to learn from her body

The choreographer speaks to Matthew McLean about ‘TANZ’, ‘Ophelia's got Talent’ and her plans for the future

McKenzie Wark shares how techno made her feel at home in her body

Five performances staged by the company at Danspace Project, New York, use synchronicity and discordance to thwart audience’s expectations for dance

Other highlights include a new documentary on German dancer Pina Bausch and a podcast dedicated to solving the mystery of artist Ana Mendieta's suspicious death

At Kampnagel, Hamburg, the choreographer takes on the ‘oppressive’ world of ballet

A survey at Art + Practice, Los Angeles, celebrates the artist’s unique combination of photography and dance

From pole dancing to Disney princesses, the artist ‘hijacks’ modes of performance to show the power dynamics inherent in the way we move

As a new series of Covid-19 lockdowns hit Europe, the Amsterdam-based choreographers’ club inspired performances are more relevant than ever

Cassa Pancho takes stock of how the landscape has changed for dancers of colour since she started Ballet Black in 2001

In ‘Letters from the Continent’, a new documentary by Studios Kabako, 21 performers in 17 countries offer powerful testimonies of how the pandemic has upended their lives

From enfant terrible of British ballet to a retrospective at the Barbican Gallery, how the choreographer and performer found a home in the contemporary art world 

Speaking to frieze editor Andrew Durbin, Rainer discusses the way she resists the myths of the 1960s

The inventive and evasive choreographer, at work on a new project, grapples with the spectacle of death 

The artists’ latest performance at Block Universe leaves us hanging in ambiguity

On the centennial of Cunningham’s birth, how does his legacy prompt us to talk about othered bodies?

At Amsterdam’s Stedelijk Museum, Rizzo’s performance ‘Higher.xtn’ unpicks the communal politics of the dance floor

In his first comprehensive exhibition in the US, at ICA Boston, a kinetic economy of endeavour quickly emerges

In a recent performance at Kunstmuseum Basel, the artist demonstrates an impressive control of hysteria and hesitancy

‘Contemporary art institutions should stop looking to museums or theatres as role models and, instead, learn from nightclubs’